Onhwy61, what kind of cartridge is yours? I ask, because if it's a MC, then 47K ohms is WAY too high a loading and will give you "tipped up in the treble and the bass is uneven" no matter how long you break it in.
A good rule of thumb (starting point) for MC load is 25 times the specified coil resistance.
I can't think of a (safe) quicker way to break in the cartridge than using the Cardas record. I also have an AT stylus cleaner (which vibrates at a single frequency, I don't know what it is exactly) It's an intriguing idea, but I'm not sure I'd want to use it on my cartridge for 100 hours -- it seems a little strong, to say nothing of the batteries it might use up. And I agree with you, I'd be nervous about leaving that kind of setup unattended!
The reason BTW for the 100 hour +/_ break-in time we all talk about, is because the modern polymers used in suspensions require a certain number of flex/relax cycles before the long-chain molecules settle into place and get as tightly packed as they're going to. So it's not really not about how hard you flex the material as how many times.
Of course it's just my own personal style, but given the choice, I almost always go for the more moderate approach . . . .
Neil
.
A good rule of thumb (starting point) for MC load is 25 times the specified coil resistance.
I can't think of a (safe) quicker way to break in the cartridge than using the Cardas record. I also have an AT stylus cleaner (which vibrates at a single frequency, I don't know what it is exactly) It's an intriguing idea, but I'm not sure I'd want to use it on my cartridge for 100 hours -- it seems a little strong, to say nothing of the batteries it might use up. And I agree with you, I'd be nervous about leaving that kind of setup unattended!
The reason BTW for the 100 hour +/_ break-in time we all talk about, is because the modern polymers used in suspensions require a certain number of flex/relax cycles before the long-chain molecules settle into place and get as tightly packed as they're going to. So it's not really not about how hard you flex the material as how many times.
Of course it's just my own personal style, but given the choice, I almost always go for the more moderate approach . . . .
Neil
.