Ideal TT & Arm for the following top cartridges...


Koetsu RS Platinum
Van Den Hul Colibri XGW
Miyabi/47 Labs
Allaerts MC2 Finish

So the search is on. I agree with a colleague's comment that although it is convenient for AB'ing cartridges, my VPI extended Aries (ver. 1, no flywheel, no SDS) with a 12.6 bearing assembly and JMW 12.5 and two 12.6 armwands does not fully show the potential of these cartridges. Certainly I can upgrade to the Aries 3 and add the flywheel and SDS or step up to the TNT line, but considering the performance level of these cartirdges, I do not want to overlook something else.

The Allaerts is enroute so I cannot comment on it yet. But I really like the RSP and Miyabi (the RSP being more refined overall) vs. the VDH for now. It could be a loading issue (now at 250 Ohms) but the VDH, although fast, transparent, detailed and dimensional, it is also lean and uninvolving (I hear the VDH platinum option can address this).

So I would appreciate your recommendations on a TT and Arm combo in the $5k-10k range as used/demo demo pieces that are capable of showcasing the performance potential of these fine cartridges. Feel free to make a single recommendation (arm or TT only) or synergistic combination.

The rest of the system includes the Ear 88pb phono stage, a modded Electron Images MCP-1 and trying a friend's Whest PS 2.0 for kicks (a Wavestream Kinetics phonostage is coming), Bent TX103 step up as needed, First Sound Paramount Mk II pre, Dehavilland Aries 845G monoblocks (NOS tubed), highly modded Coincident Milleniums.

TIA & best regards!
ctm_cra
Dear Norm: +++++ " . Feel free to recommend either here or offline your top choices of DC coupled phonostages in the $4-7k range. " +++++

This is what you told me in this thread: I'm sorry to disturb you about, I'm only trying to help " someone " with a very high targets ( real music ), that's all. Maybe there was a misunderstood by me.

Btw, I already give you my experiences with your cartridges ( that I own, too ) and in which tonearms.

+++++ " but the VDH, although fast, transparent, detailed and dimensional, it is also lean and uninvolving... "+++++

This tell me that something is really wrong in your system or in the set-up of the Colibri: my experience with it tell me that in no way is a " lean and uninvolving " cartridge. Plkease take a " look " to this thread:
http://forum.audiogon.com/cgi-bin/fr.pl?eanlg&1132299685&read&3&4&

There is something important about the Colibri: Dr. Van denHul recomended that after 250-300 hours we have to send the cartridge to him for he makes the " final touch ", when the Colibri return it was amazing ( he do this for free, you only do a payment for the shipping ).

Sirspeedy, oviously is a misunderstood, please re-read carefully and off-line we could talk about for not following disturbing Norm.

Regards and enjoy the music.
Raul.
Rauliruegas - Thanks for the VDH info.

Dear owners Koetsu RS Platinum, Van Den Hul Colibri (XGW or otherwise), Miyabi/47 Labs and Allaerts MC2 Finish - Please share your tonearm preferences and what you found to be most synergistic with your fine cartridges. Many thanks.
sirspeedy70680 - Thanks for the tip on the AR and Steve Huntley and Great Northern Sound. A colleague has used them and is very happy with their expertise and the results. Best regards!
Dear Vetterone - We recently revisited the question of the sonic characteristics of the Phantom vs. the Brinkman arms. If you recall last time we compared the Brinkman arm/cartridge combo vs the Phantom/90x on the La Grange. This time we used two cartridges - the Dyna XV-1S and the Shelter 90X, evaluating them one at a time mounting/aligning each one on both arms on the fabulous Brinkman tt.

Consistent with our suspicions that began when we first visited this topic, it was unanimous among the members of our local audio club who were present that the Brinkman arm tends to be more analytical and tonally thinner than the Phantom, at least across these two cartridges. The owner was so convinced that he ended up selling his Brinkman arm to fund his next tonearm to audition (a Morsiani, Helius, Da Vinci, Pluto or Tri-Planar). Interestingly, he is bypassing the Schroeder as he feels the TP can at least equal its performance.
Raul is absolutely right about tonearm & phonostage matching with the Mc2 Finish. I use it now with a Schroeder DPS, but have ordered a Reference SQ because while the DPS is an excellent match sonically once you've found the right settings, the cartidge really asks to be reset up for 180 gm records, and its a bit of a job without repeatable fine-tuning.

Also re the pbonostage, I can confirm that using a non-exceptional phonostage will loose what is extraordinary about this cartridge. The other problem that is vital is to check that your phonostage/s don't produce any kind of dc kickback, or there is a danger of melting the coils. I use it with a Groove Plus, but turn the phono on for two hours before plugging in cart, and never switch immediately off and then on again. One also has to be particularly careful with valve phonostages. The valve phono that is compatible is the new Tron (which I hope to try), but I fear that there is no SUT I can find that actually sees 845 Ohms (this is absolutely vital with the Finish).