As I have said before and nobody pays any attention. Probably becuase they think I'm wrong. Your record could care less about the cutting edge angle. What you want is maximum contact with stylus and grove. if you are lucky this will occurr when the headshell is parallell with the record surface.
When that happens you can then use the catridge angle as a tone control rocking it back and forth by raising or lowering the back of the tonearm. vtf can also change this angle. the more down force the more the cantilever will deflect. Stereo seperation is affected by antiskate and azimuth.what you want there is the the stylus riding in the direct center of the grove. easier for linear arms.
When that happens you can then use the catridge angle as a tone control rocking it back and forth by raising or lowering the back of the tonearm. vtf can also change this angle. the more down force the more the cantilever will deflect. Stereo seperation is affected by antiskate and azimuth.what you want there is the the stylus riding in the direct center of the grove. easier for linear arms.