Schroeder vs. Triplanar VII Sonic Differences


All,

I have read a lot of threads regarding the "superiortiy" of these tonearms in the right combinations of tables and catridges. However, there doesn't seem to be a lot said about the soncic characteristics of each brand and the differences between them. I'm interested in hearing your thoughts about their strengths and weaknesses, sonci characteristics, applicability to various types of music (rock, pop, classical, large scale, small scale, etc).

Will a Schroeder deliver dynamics, punch, bass suited to Rock music? Will a Triplanar deliver natural, timbral accuracy? Are both these arms suited to the same music?

Thanks in advance,

Andrew
aoliviero
I have owned the VPI HRX with periphery clamp for a few years now and had no problems whatsoever and it enhances the longeivity of any cartridge you use.

I think you guys are paranoid about trashing a cartridge using the periphery clamp. How old are all you guys - in your 70's?? :)

seriously thou you have more chance of trashing your cartridge when fitting it to or taking it off your arms than with the periphery clamp.
Hi sirspeedy,
well as my first Kuzma Airline is around 1 Year old
now and I do not have any Problem with it at all
last december I bought the second one. As I was
very satisfied with it operation and mounting of cartridges.
As Thomas Heisig was happy with the Triplanar I acquired this year the marvelous Triplanar from Sorasound and I am very happy dealing with Mehran , which I am driving
with the Transfiguration Orpheus. Sonically the Triplanar
is very good.
regards KHA
Rgordonpf,

I would be annoyed by the kind of care needed to set down a periphery clamp without accidentally swinging into the cartridge cantilever.

But, there is no inconvenience or danger whatsoever from the skirt on a vacuum holdown. The skirt does not come up over the side of the record. Rather, it seals against the outer groove part of the UNDERSIDE of the record. I have a Basis vacuum table. Once adjusted, it requires no more effort other than to flip the on/off switch. That is less effort than screwing down the center clamp on most tables.
Sorry,as I'm not trying to diminish anyone's product satisfaction.The fact is,that once we DO decide on a product,even with some operational quirks,we,as the person who spent our money,become very adept at operating it correctly.I have had vacuum systems for over twenty years,and never had my stylus drop anywhere,other than on the LP groove.But I don't let my audio pals operate my stuff,just in case.

Best!
BTW Thom,the Air Tangent,that my pal owned,replaced the E.T.-2.At that time,four of my friends ran that arm.They all loved it!!AMOF a good portion of "The Mercury LP Series" reviewed in TAS was reviewed with the E.T.

The Air Tangent was an upgrade,though,in performance.But it was not a big leap in performance,originally.Just about as you described!!Until there was the addition of a new compressor,which really stiffened the bearing.Two people I know went that route,and did cartwheels afterwards!!Literally,the addition of a "dentist office compressor",and bought from some retiring orthodontist in Brooklyn.Originally,we laughed at this,but were clearly proven too quick to judge.This did significantly improve the bass response of the Air Tangent.However when it would cycle in,you thought someone was running a motor boat engine,in the next room.My friend had it sandwitched between king size pillows!Amazing how we go to some lengths,for our passion,and I know of nobody more passionate about vinyl replay than my friend."Ya godda luv the guy"!

Best!