Schroeder vs. Triplanar VII Sonic Differences


All,

I have read a lot of threads regarding the "superiortiy" of these tonearms in the right combinations of tables and catridges. However, there doesn't seem to be a lot said about the soncic characteristics of each brand and the differences between them. I'm interested in hearing your thoughts about their strengths and weaknesses, sonci characteristics, applicability to various types of music (rock, pop, classical, large scale, small scale, etc).

Will a Schroeder deliver dynamics, punch, bass suited to Rock music? Will a Triplanar deliver natural, timbral accuracy? Are both these arms suited to the same music?

Thanks in advance,

Andrew
aoliviero
The unit is the Air Tight(of this I'm pretty sure).It lists at about two grand,and I believe is carried by a variety of places,like Music Direct,or Acoustic sounds.

The reason it originally interested me(remember I put out a thread,vying for some kind of chip-in,which is really not a great idea),was because it IS very reliable,and repeatable.So,you have no worries about flattening out expensive/rare discs.This guy has flattened everything from rare,collectible early mono,to Decca Wide Bands,to the rarest EMI's.Plenty of POP music too.He is a "serious" hobbyist(ya know--with multiple arms,and a cartridge salon,consisting of the Titan,mono and stereo,as well as the Koetsu Coral Stone).

I have noticed some other manufacturers(like Clearaudio)offering these flatteners,but the pricing seems to be getting rediculous(as in too high).

I have always been surprised as to why something like this type of flattening unit has not really caught on,as much as it should have.More "local hobbyists" should chip-in on one,or even a dealer could offer the service.It seems to be a great accessory,if you have a large lp collection,or are a very active collector.The "bit" with the heated glass "Rube Goldbergs" never appealed.

The only caveat would be,after you've flattened your dozen or so warped discs,the unit could sit around for a long time.Unless one decides to make a few bucks on their friends-:)

Best!
BTW,Dan--I have a mint first pressing of the DOORS first album.Really!I'd be glad to let you "steal it" from me,if you can manage to get me an Allaerts MC Finish -:)

Also,Larry,now that I have your attention(I lost your E-mail address),what is the name of,and where can I get the solo guitar/singer Lp you played for me.You know which one.The guy who composed the tune about Michael Jorden.Your friend Pat gave me an E-mail address for it,but it did not exist.That was one of the things I wanted to discuss with you when your cell was cut off.As well as the possibility of my adding the Townshends.Knowing you are very busy,I don't want to "nudge" you on the phone.

Thanks.
This thread, like so many, has gotten off course. I have owned both the Triplanar and the Schroeder arms. The Triplanar was an early version and the Schroeder was a special version for the Loricraft/Garrard 501 turntable.
I think, however, that the characteristics of the arms endure.

The Triplanar was easy to set up and to adjust VTA. It is very smooth but not as dynamic as the Schroeder. The Schroeder is designed for rigidity and is somewhat difficult to set up. The key variable is the gap between the magnets. VTA is difficult to change reliably.

I don't remember which cartridges I used with the Triplanar. On the Schroeder I used the Allearts MC2 and the Decca Jubilee. Although it was very difficult to optimize the Decca, when I did, I loved the sound.

I now have the Shindo Labs/Garrard 301 which uses what was originally the 12" Ortofon spring loading arm and the Ortofon SPU cartridge. This is all designed to work together and is easy to set up, but VTA is not easily adjusted. As a system, it is the best vinyl I have owned.
Tbg,

Thanks for bringing us back on course.

Any other experiences with these tonearms. I'm very interested in how the Triplanar compared to the Schroeder-2 and DPS in the infamous shootout.
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Sirspeedy,
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The LP you heard when visiting is called “Pearl Diver” by David Roth. The song writing, singing, guitar work and recording are all spectacular as you well recall.
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You can order it directly online from the record company “Stockfisch” of Germany.
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Their website is: www.stockfisch-records.de
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or you can go directly to the English side of their Catalogue by going to :
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http://www.stockfisch-records.de/stckff/sf_stockfisch_e.html.
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and scroll down till you see his LP and CD (two separate listings, be careful that you order the LP). The LP is a Direct Metal Master Recording. They also have a CD version is quite good as well, but the LP is spectacular.
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For the rest of you, this is a great audiophile recording with some real joyful acoustic music. David Roth (not David Lee), has an incredible voice and plays the guitar beautifully. I think it is one of those LP’s that everyone would love to have in their collection regardless of their musical preferences.
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Rgds,
Larry
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