The universality of torque aside, Walker's cut-belt demonstration was a bit of circus stunt. Of course the pitch and tempo of the record dropped during the 20 seconds -- that's a fact of nature -- it just did so slowly and not very much, so nobody noticed through their surprise. If they didn't notice that, then they didn't notice whatever effects of dynamic stylus drag were superimposed on that -- not only because of shock and awe, but because there was no reason for those effects to have changed much before and after the cutting of the belt. The massively heavy platter minimized those effects before the belt was cut, not the motor, and removing power didn't change that. Whatever dynamic speed modulation by the stylus sounds like, it couldn't be a gross effect, it probably manifests as a subtle alteration of textures or something, maybe a bit of clouding of the soundstage, who knows. Hell, there are ways in which you could predict *any* turntable would sound *better* without its motor interfering, if only they all could keep spinning away like the Walker. (Maybe cutting the damn belt even granted it some of the virtues of direct-drive for a time ;^) Point is, there was never any question that an 80lb. platter on an air bearing for $20K+ could help overcome dynamic stylus drag, the real question is if that's the only way, or even the best way. (I've always assumed the really massive platter jobs must have very low flutter but rather high albeit long-period wow, and maybe that's a smart tradeoff.) Or if any of that matters to the sound nearly as much as the resonant characteristics of the turntable -- if not, then use any drive method, just make sure the thing has good vibrations.
