Analog playback is full of compromises. Even assuming proper set up, different cartridges and stylus have strengths and limitations and the ability to track a highly modulated groove is one of them, and perhaps the most common. Some of the best sounding cartridges don't track worth a crap (so to speak) and some of the ones that can track everything sound like crap. And, as in the case of the Pollini disc its hard to tell when its your cartridge or the recording itself. Those DG's were not SOTA recordings and Pollini is not noted for a warm enveloping sound.
Set your cartridge up to sound its best for the 99% and accept its limitations.
Oh, I forgot to mention, that the VTA (SRA) can also effect the sound and give the impression of distortion. If you have set the arm/cartridge to optomize for thick audiophile recordings and then play thinner disc's such as the DG you may bechanging the angle of the stylus in the groove just enuf to exacerbate a tiny distortion in the recording, one that you would not have heard but for the inappropriate VTA. Many folks completely overlook the importance of properly set VTA for each recording, or at least for the thickness of each disc.
Set your cartridge up to sound its best for the 99% and accept its limitations.
Oh, I forgot to mention, that the VTA (SRA) can also effect the sound and give the impression of distortion. If you have set the arm/cartridge to optomize for thick audiophile recordings and then play thinner disc's such as the DG you may bechanging the angle of the stylus in the groove just enuf to exacerbate a tiny distortion in the recording, one that you would not have heard but for the inappropriate VTA. Many folks completely overlook the importance of properly set VTA for each recording, or at least for the thickness of each disc.