12" Tonearm What Have You Heard & Recommend?


OK, SME just came out with their 312S 12" beauty. It is a three series.... at $2200. Anybody had an opportunity to hear this yet? What about anything else you have experienced in the past classic or "Legend" status? I am looking for candidates for my Garrard 301 project with a custom plinth with a high fun per dollar ratio. Possibly with a London Decca super gold....What cha' got there tonemaster?
jomoinc
Deccas prefer fluid-damped unipivots, fluid damping practically a necessity, so add the VPI JMW 12.5 to the list. On a heavy Lenco idler-wheel 'table, the combination of JMW 10.5 with the Decca is simply the most awesome sound I have ever heard: slam of Decca added to slam of idler-wheel drive for unheard-of speed, bass and detail. Others trying this combo have reported similar impressions. You'll get similar results from your Garrard, and have a blast.
Do search on relative merits/demerits of lonmger and shorter arms here on at the Asylum.Certain principles of physic say 12 should be better and others thaty a 10 or 9 inch is bter.Know that Stereophiles Fremmer prefers the priciples of shorter arms.A number of factors like rigidity (everything being equal otherwise),azimuth etc come into play.There are two camps but interesting reading when choosing.I have a 12" VPI Memorial and am going to swap decks amd get one of their 9" arms though must admit the biggest difference is tht I'll lose VTA on the fly but there are differences.
Regards
Chazzbo
Dear Jomoinc: In Theory the long tonearms has, at least, and advantange over the short ones: lower tracking error. Now, this lower tracking error is reflected in an improvement in the quality sound reproduction?, not necessary, because the better quality sound reproduction depends not only of the tracking error but of many other factors like: tonearm design, tonearm build quality, what materials were used for build the tonearm, with which cartridge, etc.
In my experience the short and long tonearms can perform at the same level and usually I can't say if I really can hear the " lower tracking error " improvement. It is really difficult ( at least for me ) and complex to be absolutely precise on this subject.

More important than this is that the tonearm characteristics could match well with the phono cartridge.

I agree with Bigbucks5 about the Ikeda tonearms: great ones!!! and you can choose between short or long one. I am sure that the Ikeda will be a very good match with the Decca London that is a medium/heavy weight and low compliance cartridge.
I don't have any experience with the Decca cartridges in my system but I use my Ikeda tonearm with a " marvelous " Ikeda REX9 cartridge ( that is and MC cartridge with out cantilever ( like Decca ), low compliance and heavy weight. ) and these couple is something that any one that are inerested in the music sound reproduction at home must to hear it !!!!!!!!!!!!!! I never been close to a real live event that when I hear through the REX9, nothing come close to this experience.

Regards and enjoy the music.
Raul.
Try a Fidelity FR-66s. I just acquired one and the sound is as good or better than anything else i've heard.

I have an Audio Note IO-2v mounted on it and it makes a great combo.