Dear Andrew/Doug: Interesting cartridges test but a little useless.
It is obvious that Andrew and Doug have a different music perception top to bottom frequency range and especially in the mid and low bass. I'm not sure who is nearest to the music but maybe could be because one of them hear more often live music or maybe because Andrew system goes really deep in the bass and he can perceive things that Doug can't in its system ( the Andrew brain is already equalized to his system and in a way its brain treat to synthesize about ).
Both systems can't be more different: a wood TT against all metal one, speakers/room, phonolinepreamp, amplifier and cables, add to all these that Andrew don't bring with him the LP's that he knows better.
The other subject is that the set up of the U was executed exactly to the Doug music sound priorities ( and that Doug's brain is perfectly equalized with the U characteristics ) at a very high level of critic ( that VTA madness in each LP !!! ). I can't be sure which one will be the results if the O " suffer " the same high level on the set up.
Other subject is that the U is very happy with the Triplanar and we don't know if this tonearm is the best O match.
Now, how many hours they take on the tests? and how they make those tests?. For any cartridges comparison we need a procedure to follow for that comparison could be useful.
There are, at least, two things that disturb me: first is that the O can't track the Trio LP and the second is that the sound at 47K was a very lesser one.
The former could be that the O suspension it is not settle down or that that O is out of specs ( we can't know it at this time because we don't have any info about how many hours needs the O. Andrew please ask to the manufacturer. Maybe the O needs 300 hours, who knows. Btw, my Colibri needs 300 hours and after that Dr. Van denHul makes the last adjustment. ), the 47K could be a problem with the Doug phonolinepreamp because in the Andrew one everything is right ( at least at 447K ).
I think that with all these variables ( and others ) we can't have a fair opinion about the O. Some people in the thread, especially Mark give us some opinions about the O that from my point of view were irresponsible taking in count who is Mark.
I had the opportunity to heard the V/W and none has the characteristics that Doug mentioned and I don't think that the O design/build put up for sale its new flag-ship model that is inferior in its quality sound reproduction than the lower models, I assume that they make a extended voicing about.
I think that before we make a false assumption ( like Mark ) about the O we have to wait a little more time where we could have more O owners experiences, of course that always exist the possibility that the O designer/builder made a mistake with the O.
Regards and enjoy the music.
Raul.
It is obvious that Andrew and Doug have a different music perception top to bottom frequency range and especially in the mid and low bass. I'm not sure who is nearest to the music but maybe could be because one of them hear more often live music or maybe because Andrew system goes really deep in the bass and he can perceive things that Doug can't in its system ( the Andrew brain is already equalized to his system and in a way its brain treat to synthesize about ).
Both systems can't be more different: a wood TT against all metal one, speakers/room, phonolinepreamp, amplifier and cables, add to all these that Andrew don't bring with him the LP's that he knows better.
The other subject is that the set up of the U was executed exactly to the Doug music sound priorities ( and that Doug's brain is perfectly equalized with the U characteristics ) at a very high level of critic ( that VTA madness in each LP !!! ). I can't be sure which one will be the results if the O " suffer " the same high level on the set up.
Other subject is that the U is very happy with the Triplanar and we don't know if this tonearm is the best O match.
Now, how many hours they take on the tests? and how they make those tests?. For any cartridges comparison we need a procedure to follow for that comparison could be useful.
There are, at least, two things that disturb me: first is that the O can't track the Trio LP and the second is that the sound at 47K was a very lesser one.
The former could be that the O suspension it is not settle down or that that O is out of specs ( we can't know it at this time because we don't have any info about how many hours needs the O. Andrew please ask to the manufacturer. Maybe the O needs 300 hours, who knows. Btw, my Colibri needs 300 hours and after that Dr. Van denHul makes the last adjustment. ), the 47K could be a problem with the Doug phonolinepreamp because in the Andrew one everything is right ( at least at 447K ).
I think that with all these variables ( and others ) we can't have a fair opinion about the O. Some people in the thread, especially Mark give us some opinions about the O that from my point of view were irresponsible taking in count who is Mark.
I had the opportunity to heard the V/W and none has the characteristics that Doug mentioned and I don't think that the O design/build put up for sale its new flag-ship model that is inferior in its quality sound reproduction than the lower models, I assume that they make a extended voicing about.
I think that before we make a false assumption ( like Mark ) about the O we have to wait a little more time where we could have more O owners experiences, of course that always exist the possibility that the O designer/builder made a mistake with the O.
Regards and enjoy the music.
Raul.