Tranfiguration Orpheus description


This is the first detailed description I've seen of the new Transfiguration Orpheus:

http://hifi.com.sg/products/cartridge/transfiguration/orpheus.htm

Anyone run across other info?

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128x128nsgarch
Thom, I don't think anything is gained by taking an extreme opposite position just to make a point. Some examples you cite, the 400 hour speaker or the 20,000 mile Porsche break-in, the NUMEROUS? van den Hul trips across the ocean ;--); these are erroneous statements and suggest ridiculous extremes that will make even obsessive audiophiles giggle.

There are many areas in life that, finally, must be approached subjectively. There are many people who explain things they COULD understand with a little effort, but who prefer superstition -- that's why so many rabbits have only three feet! There are firm scientific underpinnings for many of the routine conventions that people follow in audio, particularly in vinyl analog setup an playback. Other procedures unfortunately are the result of taste, superstition, or one time anecdotal experience.

Unfortunately, separating the "lore" from the science is not easy, especially for the newcomers to audio, exposed as they are to ads, salesmen, reviewers, and worst of ALL, other audiophiles! who seem to speak with authority and experience, but who in fact are merely repeating unsubstantiated "lore." I'm not referring here to you, as I don't know you that well.

I think in the area of audio setup/adjustment, break-in, etc., it's a matter of scientifically measuring/determining exactly how much is required to do the job, AND WHY!! -- and then using procedures that are repeatable, and which provide useful results under a broad range of circumstances, conditions and equipment. To me, other approachs (other than that FINAL ear tweak, if one has the chops!) are subjective, even romantic, and therefore, ultimately impractical.

As for the "average break-in time for a cartridge" -- I don't understand what a statement like that refers to? Certainly not to all the different cartridges out there in the world! I think what most of us would agre about, and what was mentioned in previous posts, is a general consensus about what the range is at this moment in time, and also what happens during the process.

And the concensus is: somewhere between 80 and 100 hours with today's suspension materials. This concensus comes from many many pairs of ears. Some experiencing only one cartridge break-in period, others like Raul, experiencing dozens of different cartridges breaking in. And I'm sure any scientist with experience in elastomeric technology would have no trouble explaining these empirical results. I think cartridge manufacturers downplay the break-in time for the very (marketing) reasons you mention. And that's OK. I mean, it's baloney, but it's OK, because if you use your cartridge for an average hour and a half a day for a couple of months, it's gonna break-in, isn't it? And if your hearing is sensitive and/or trained, you will enjoy experiencing the metamorphosis.

Some folks open a bottle of fine wine and pour. Others like myself, know one should let it rest first, but like me, don't know how long or why. I should probably ask soneone what the concensus is (for how long) and later on, if I really get into it, I'll ask why, so I can make a more refined determination.
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Dear Neil: " +++++ But I've been wondering: you try many many tonearm-and-cartridge combinations. So how do you remember from one to another so you can decide what you liked best? " +++++

What you liked best?: a very hard call. I have my own music sound priorities ( you can look at " my system " ) refered to live music.

First I don't try, yet, all my cartridges ( more than 30, I think ) with each one of my tonearms ( around 15-18 ): there is no time for do it. Now, I have a very good idea of my tonearms performance/characteristics ( this help me to choose cartridg/toneam combinations ) and the whole cartridges characteristics too.

I set-up the VTA/SRA and the other set-up parameters on an average way ( I can't do it like Doug: for each record ), usually with 180gr LP's. I have two records and two cuts in each one that are my references where I " measure /test " each combination: when the sound settle/right on those record cuts that's mean that the set-up is on target but this not tell me, yet, which combination meets exactly with my priorities.

What I tell you now maybe could sound a little sealy: from the combinations that I already have in very precise way, I like all!!!, I always enjoy the music with any one of them, of course that each one has its own " flavor " but that flavor always like me.

Right now I'm testing three MM cartridges: Empire EDR.9, Audiotechnica ATML 180-OCC and ADC Astrion. The Empire in the Micro Seiki MAX 282, the AT in the Satin unipivot and the Astrion in the Sumiko MDC800. I can tell you that these three ( extremely low price MM cartridges ) cartridges perform at the same level of many of my " big names " MC cartridges: I'm " startle " about, how comes ?: well this answer for other best time.

No, I don't take notes by hand, till to now everything is on my mind.

Yes, I have a lot of fun!!!

Regards and enjoy the music.
Raul.
I wanted to give you folks an update on my Orpheus after further break-in and optimization of settings. In short it its sound is stunning! I'm loving life.

After using Nsgarch's method to identify the point of 0 degree SRA I increase arm height to achieve approximately +1.5 degrees. I am also now using a loading of 100 ohms. At this point I'm up to 1.92 g VTF. Although I don't consider this optimized yet as I haven't carefully experimenting with the recommnedations of higher VTF in the 1.97-1.99 g range. The cartridge also now has about 180-200 hours on it.

After this further break-in and SRA optimization I can now hear much larger differences between 47K and 100ohms and I'm prefering 100ohms a lot more. This loading has improved the tone and timbre of instruments and made it fuller sounding. 47K now sounds very lean and dry with out the realistic tone, body and natural sound I get at 100.

Overall this cartridge is very detailed, transparent,and open sounding. This has improved dimensionality drastically with a lot more depth, imaging and airiness. The dynamics have also improved considerably. Leading edge transients and attack are now very realistic. The most amazing thing about this cartridge is that it has all of these qualities but it has the most realistic tone and timbre of instruments. Some may call this beauty, etc. In other words it doesn't sound analytical AT ALL. I think the Tranny camp knows what I mean and this is what I was hoping for based on descriptions of the Temper Supreme.

I have to say that this cartridge sounds different and a lot better than it did 60 hours ago and with lower SRA and higher loading. My guess is that the loading to 100 ohms and further break-in were the main drivers to this improvement because my previous SRA was about 0.8 degree.

From my experiments with SRA around 0 degree I think the sound I heard at Dougs was mostly a result of an SRA setting too low. I find the sound gets muddier, less dynamic and dry sounding.

I have also gone back to comparisons to my CD player Wadia 861-SE with GNSC Statement mod and Virtual dynamics Revelation PC) with lp's and cd's of the same title. Where the difference weren't as dramatic before, the differences are now very apparent. Now the CDP literally sounds broken. I find myself i'm questioning if there is something wrong with it. In fact there isn't. this is just how good the analog rig nows sounds.

I owe a lot of thanks to Nsgarch. His persistence on pushing me to lower the loading and set SRA correctly payed off! You're the man!

Andrew

PS, I'll let you know how my experiments with VTF go.
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Andrew,
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Congratulations on getting to a good place with the Tranny. It's nice to hear someone so happy with their system.
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Rgds,
Larry
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Andrew,

It sounds like the Orpheus is breaking in nicely. The fact that it now sounds better at a more normal 100 ohms than at 47K is consistent with that. I've had new MC's that sounded okay at higher impedances OOTB, but needed progressively lower impedances as I put hours on them until they finally reached happiness at the expected setting.

I wish we'd had more hours to play with arm height during your visit. Your results make sense. Our cartridge also sounds muddy and less micro-dynamic when SRA is too low. Glad to hear working at this is paying off so well. I'd love to hear it again some time, optimized in your system for instance!

All the best,
Doug