Tranfiguration Orpheus description


This is the first detailed description I've seen of the new Transfiguration Orpheus:

http://hifi.com.sg/products/cartridge/transfiguration/orpheus.htm

Anyone run across other info?

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nsgarch
I agree, Andrew, we are on the same page. One advantage with the bubble level is that you can get quite close with the cartridge still mounted. And this method is not susceptible to variations if the platter is dished. When I do use the level I pick a spot on the platter, take a reading, then try to match the headshell to the same reading while it is over the same spot on the platter. Hey, it's just a place to start.

Using the block may require one to not have the cartridge mounted. I think the little guage that comes with the arm is close enough but I can understand the desire for accuracy. You might have luck with an engineer's square. These are machined to very close tolerences and can usually be found for just a few bucks. I'd be careful with one around the cartridge magnets though.
In your experience, what range of azimuth changes resulted in optimization. 1/8 turn? 1/4 turn? Or less?
Much less. 1/12 or 1/24 of a turn. It is important to take up the backlash in the threads of the adusting screw BEFORE loosening the two set screws. Otherwise you'll have no idea where you started or how far you've actually rotated the armwand.

Also, did your setting through listening equal the setting you obtained using the Wally instrument?
Yes, pretty much. With the UNIverse I was able to get crosstalk below 0.5db. Subsequent settings by ear seemed to duplicate that quite well. As other components in the path get better, it becomes easier to hear and adjust accurately. Nick's components and the Valkyra wire really made it clear.

Finally, did you have to connect your speaker cables to the Wally device or can you just insert tonearm out puts or preamp outputs?
Speaker wire connections work much better. Low level signals like preamp or, especially, tonearm output would require much more sensitive measuring equipment. The Wally just uses a standard digital multimeter. No way is that sensitive enough to measure crosstalk accurately with low level signals. Channel imbalances in the amplification chain don't matter, so there's no reason not to use the more easily measured output from your amp(s).

Doug

P.S. I don't bother levelling the headshell. That would be useful if the cartridge were dead nuts on from top surface to stylus, but that's unlikely. I just start by making the stylus/cantilever look vertical (under normal VTF on a record). This seems like a logical and simple place to start, at least to me. I noticed Frank Schroeder doing it the same way. Diff'rent strokes?
RE: M. Fremer Orpheus review in current StereoPile:

The man should get out of audio and go into politics. Just another limp-dicked please-everybody review. No mention of break-in time or load resistance values. And in a $100K TT/TA yet! Well, what did I expect . . . . . . . .
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Yes Neil but the burning question is, did it make Class A? Or is it in the minority of SP tested products?
:-)