Rmaurin wrote:
Why are the widely spaced tracks better?
Because skating forces vary across the record. Measuring at just one place cannot account for this. Measuring on outer, middle and inner grooves lets you identify an AS setting that balances this variable.
Eldartford wrote:
Setting antiskating using a highly modulated groove does make sense. Such a groove is when mistracking will occur.
Skating forces vary with groove modulations. Adjusting AS for unrealistically modulated grooves will result in excess AS for real grooves.
... and:
Less modulated grooves will be OK with antiskating a bit high.
I'm sorry, but this is misguided. If AS is set too high then you're intentionally causing uneven groovewall pressures. This will result in premature wear of both your vinyl and stylus, on the R channel side of each.
Further, if your rig and system are sufficiently resolving it's easy to hear the effects of excessive AS. Warjarret has already done so. If your rig or system cannot resolve those sonic effects it doesn't mean they aren't occuring at the stylus/groove interface. It just means your rig or system can't reproduce them.
Warjarret,
By "widely spaced" I was not referring to individual grooves and the spacing between them. I was referring to tracks 1, 4 and 8(?) being spaced on outer, central and inner grooves. For why this is significant, read my response to Rmaurin above.
BTW, no one questions that skating forces occur on blank surfaces. It's just that, as you said, they are a poor approximation of the skating forces created by a stylus riding inside a modulated groove. Yes, AS is always a compromise. I've said that a million times. But what's the point of choosing a compromise based on a totally unrelated operating environment?