I thought Stew just asked this question, perhaps in a slightly different form.
The differences between thick and dark and thin and bright are emblematic of the differences heard when you are playing LP's of varying thickness using just one setting for everything and is IMHO why one needs to be able to adjust VTA at a minimum at least to compensate for such thickness.
An alternative for those who are trying to avoid being neurotic about adjustments is to get a cartridge with an eliptical stylus and set this up using a high quality LP which represents the thickness common to the bulk of your LP's, then just play your reords and relax and forget it. For those of different thicknesses you won't hear that big a difference and the energy/angst saved will be its own reward. BTW with experience you will in a short period of time be able to tell whether or not you have a recording problem or a set up issue. With experience. Takes time. No one can do it for you.
Regarding VTA to compensate for mastering problems. Its not an issue IMHE. You can't correct mastering problems with VTA adjustments, at least I haven't yet.
Regarding you last question. Ye old chicken/egg inquiry. What difference does it matter how you get synergy - matching the source to the electronics, matching the amp to the speakers, etc. So long as you get a sound you find acceptible when its all plugged together and turned on. Obviously it makes a difference if you have more than one source, but I suspect you knew that already.
FWIW, I can be quite anal with vinyl at times. I have a pre-amp where I can adjust loading on the fly. I've been know to change the loading to compensate for a really bright recording. I can hear the drums now, they're coming to get I know, bearing their tar an feathers.
Bottom line, do what ever feels good, even aurally. :-)
The differences between thick and dark and thin and bright are emblematic of the differences heard when you are playing LP's of varying thickness using just one setting for everything and is IMHO why one needs to be able to adjust VTA at a minimum at least to compensate for such thickness.
An alternative for those who are trying to avoid being neurotic about adjustments is to get a cartridge with an eliptical stylus and set this up using a high quality LP which represents the thickness common to the bulk of your LP's, then just play your reords and relax and forget it. For those of different thicknesses you won't hear that big a difference and the energy/angst saved will be its own reward. BTW with experience you will in a short period of time be able to tell whether or not you have a recording problem or a set up issue. With experience. Takes time. No one can do it for you.
Regarding VTA to compensate for mastering problems. Its not an issue IMHE. You can't correct mastering problems with VTA adjustments, at least I haven't yet.
Regarding you last question. Ye old chicken/egg inquiry. What difference does it matter how you get synergy - matching the source to the electronics, matching the amp to the speakers, etc. So long as you get a sound you find acceptible when its all plugged together and turned on. Obviously it makes a difference if you have more than one source, but I suspect you knew that already.
FWIW, I can be quite anal with vinyl at times. I have a pre-amp where I can adjust loading on the fly. I've been know to change the loading to compensate for a really bright recording. I can hear the drums now, they're coming to get I know, bearing their tar an feathers.
Bottom line, do what ever feels good, even aurally. :-)