I am more for quality than quantity myself. I started collecting jazz about 5 years ago and have about 1500 now (about 1/2 original issies, 1/4 early reissues and 1/4 newer (post danalog age)"audiophile" reissues). Average cost about $50/record but many are in the $75 to $300 range for a very nice early Blue note for example. I find that you very rarely find anything of quality in jazz at most used record stores, let alone the thrift shops so I dont bother with these. I have a few key sources (which I will not disclose), that have "the really good stuff" but at a price that is commensurate with the quality. You just cant expect to get a record from the early 50's in near mint condition for a cheap price I have found,(not very often anyhow. To avoid buying duplicates, I carefully catalog each record in Excel making special note of things like address on label, issue info, marks in the deadwax etc. All of this is critical to properly identifying the issue of jazz records which, unlike rock, were issued and reissued many times with varying quality in the heydays of vinyl.
How many LPs is enough?
Right-- the answer is "Just a few more..." However, here is where I am and what I'm thinking: The last three times I was in my local used/thrift shops, I came across a few that I was not quite sure if I already had, or whether I had that pressing. I wondered if I need to carry a Blackberry (anathema to my analog way of life) with my collection downloaded so that I could avoid this kind of dilemma.
I only own about 700 or so titles, spanning classical box sets to recent limited-release albums. I realize that this is nothing compared to most of you, but I donate what I upgrade and I sell what I do not enjoy listening to. I maintain an Excel database of what I have, and enter each upon cleaning and test-listening; I don't just buy 'em and throw 'em in a bin. While it is rather engaging to compare, say, six versions of Bolero or Beethoven's symphonies 1-9 to determine which sounds best, am I really going to listen to the other five once this is determined? Likewise, while I own a stereo and mono version, and often an audiophile reissue, of most of my favorite late '50's through '60's jazz, surf, folk, and psych, it usually turns out that one or the other sounds significantly better. My overriding rationale is that I don't really need more than a one-year supply of one title per day. While building my collection, I have enjoyed making the comparisons or searching out the missing performance when it comes to classical, but nobody who I expose to this stuff is interested in making these comparisons-- they want to hear the vinyl magic, so I always pull the superior recording.
Maybe I only need about 300-400 titles of what I consider best of the best. Even when and if I retire and have more free time, I'm not sure that I would listen to more than one LP per day, and this gives me a year of no-repeats. Of course, my husk can still haunt the local thrifts and resale shops for that fifty-cent, mint six-eye Kind of Blue, so long as I immediately sell my two-eye... Has anyone else come to this conclusion? Am I to be immediately and henceforth banished from the Brotherhood of Crusty Vinyl Seekers after having my stylus bent?
I only own about 700 or so titles, spanning classical box sets to recent limited-release albums. I realize that this is nothing compared to most of you, but I donate what I upgrade and I sell what I do not enjoy listening to. I maintain an Excel database of what I have, and enter each upon cleaning and test-listening; I don't just buy 'em and throw 'em in a bin. While it is rather engaging to compare, say, six versions of Bolero or Beethoven's symphonies 1-9 to determine which sounds best, am I really going to listen to the other five once this is determined? Likewise, while I own a stereo and mono version, and often an audiophile reissue, of most of my favorite late '50's through '60's jazz, surf, folk, and psych, it usually turns out that one or the other sounds significantly better. My overriding rationale is that I don't really need more than a one-year supply of one title per day. While building my collection, I have enjoyed making the comparisons or searching out the missing performance when it comes to classical, but nobody who I expose to this stuff is interested in making these comparisons-- they want to hear the vinyl magic, so I always pull the superior recording.
Maybe I only need about 300-400 titles of what I consider best of the best. Even when and if I retire and have more free time, I'm not sure that I would listen to more than one LP per day, and this gives me a year of no-repeats. Of course, my husk can still haunt the local thrifts and resale shops for that fifty-cent, mint six-eye Kind of Blue, so long as I immediately sell my two-eye... Has anyone else come to this conclusion? Am I to be immediately and henceforth banished from the Brotherhood of Crusty Vinyl Seekers after having my stylus bent?
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- 17 posts total
- 17 posts total