Funny,
Highend equipment's ability to expose faulty or "not as talented" musicianship is the primary reason why I spend the bucks for the equipment in the first place.
I'm referring to the minute "human" element in a performance. Variations in delivery, such as a voice slightly cracking.. held notes drifting off-key.. retarded or rushed tempo's.. these qualities are often responsible for more emotional content then the composition itself.
Granted, these qualities are usually undesirable in classical music. But in that case, good equipment helps expose more of the conductor's interpretation (via tempo, dynamics, etc) as well as the dimensional, vibrant and colorful (why is "color" a bad word to audiophiles?) presention of a well orchestrated composition.
Vinyl to my ears delivers all of the above.
Highend equipment's ability to expose faulty or "not as talented" musicianship is the primary reason why I spend the bucks for the equipment in the first place.
I'm referring to the minute "human" element in a performance. Variations in delivery, such as a voice slightly cracking.. held notes drifting off-key.. retarded or rushed tempo's.. these qualities are often responsible for more emotional content then the composition itself.
Granted, these qualities are usually undesirable in classical music. But in that case, good equipment helps expose more of the conductor's interpretation (via tempo, dynamics, etc) as well as the dimensional, vibrant and colorful (why is "color" a bad word to audiophiles?) presention of a well orchestrated composition.
Vinyl to my ears delivers all of the above.