Is Digital actually better than Analog?


I just purchased an Esoteric DV-50s. The unit is fantastic in the sense that you can hear every detail very clearly in most recordings. Here is the thing, does it make for an enjoyable musical expereince? With this type of equipment, you can actually tell who can actually sing and who can really play. Some artist who I have really enjoyed in the past come across as, how shall I put it, not as talented. This causes almost a loss of enjoyment in the music.
Which comes to my Vinyl curiousity. I dont own a single record, but I have been curious why so many have kept the LP's (and tubes for that matter) alive for so long after the digital revolution and now I am thinking it is probably has to do with LP's being more laid back and maybe even more musical. Does anyone have any thoughts on this? Would someone recommend going back to Analog. I was thinking of getting a entry level player like a Scout Master.
musicaudio
"The Esoteric, you can make out every detail with ease but I really feel that such a detailed machine takes away from the enjoyment in music."

If you listen in two channel only, you are not getting the best digital has too offer. Infact you're getting the nasty end of the stick.

For years I have been listening in trifield and now PLII two channel is purgatory. ie. Digital is too good for two speakers, and no amount of EQing and sound shaping with tubes and cables will overcome that.

You want to love the music and be swept away by detail and emotional involvement, its scientifically proven adding rear channels is the best way to do it. :)....and ten years from now you will actually believe what I just said.
You want to love the music and be swept away by detail and emotional involvement, its scientifically proven adding rear channels is the best way to do it. :)....and ten years from now you will actually believe what I just said.

Ten years from now?

Ever heard of quadraphonic?

Ever heard of the evil of rear speakers in car audio?

***
“its scientifically proven adding rear channels is the best way to do it.”

Really? By whom?

I have listened to many an opera, recitals and live jazz/rock performances. Never had anybody walk off stage to sing/play an instrument behind me.

Seen Stars Wars and that had sound emanating from all over the theatre. Very impressive if you actually want Star Wars. Me, I’d rather have Stravinsky.

Regards
Paul
There are secondary (reflected) sound waves which come from the sides and rear of concert halls and other large venues that do get recorded onto two channel formats. And with proper processing can be extracted and redirected to additional channels/speakers, even though in an actual concert hall setting, I never noticed sound as coming from anywhere but the stage -- reverberation is all enveloping; only echos seem to come from "somewhere" and are greatly frowned upon in the design of concert halls ;--)

Nevertheless, a good two channel system in an acoustically adjusted listening room will produce all those secondary waves accurately and from the (seemingly) appropriate directions using only two speakers, and it's not clear whether the necessary information is captured any better by analog or digital recording techniques. With a purly digital recording/playback process (DDD), my sense is that it's a tough thing to achieve using plain ol' Redbook, and maybe that's the attraction of SACD or DVDA for some. However I have several (Redbook) HDCDs and XRCDs whose sonics equal my best LPs.

So anyone who has really great gear of both kinds really should try some of the XRCD releases -- especially the orchestral ones made from the old RCA and Colombia mastertapes which you can (if, like me, you have them) compare with their original LP counterparts. I think you'd be very surprised at how much great sound never made it onto the original vinyl ;--)
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