Interesting observations Nsgarch. I gave up on multichannel attempts at recreating a concert hall at home many years ago. I also agree that there is a lot of information on the disc's to be recovered, much of it is the out of phase information present in the recording venue, which unfortunately is hard to reproduce at home unless you have a perfect acoustic.
In a less than perfect acoustic, there is an old fashion method of getting that 'hall sound' which is cheap and easy to set up (so long as your not too anal about absolutes). I can't recall off hand the name of the designer, but the idea was to place two small speakers in the rear of the room, or preferrably one on each side of the listening seat. Connect the speakers in a loop with one wire connected from the positive post of an amp to the speaker A, then from speaker A to speaker B then back to the hot positive post of the other channel in the amp. You insert somewhere into this loop and attenuator so you can balance the sound with the main system. The side/rear speakers output is kept very low and only produces out of phase info but the room sounds energized and more like a concert hall. Using a seperate amp you can turn it on and off at will, but its possible to wire this into the main amp (I'm to anal to do that).
This type of ambiance extraction existed before Yamaha and some 'other outfit long gone' (I had one of 'long gones' units) produced a unit which did the same, but added digital delay's so you could select hall size and all that other stuff. I think the extraction you are referring to comes from equipment made by suceeding manufacturers. Got to be too fussy for me and actually never sounded as good as the cheapo way. Although from all I've heard maybe ARC got it right in their unit.
Fun stuff if you've got the space, and I think I'd find this much more interesting that the new multi channel recordings and the replay requirements.
FWIW.
In a less than perfect acoustic, there is an old fashion method of getting that 'hall sound' which is cheap and easy to set up (so long as your not too anal about absolutes). I can't recall off hand the name of the designer, but the idea was to place two small speakers in the rear of the room, or preferrably one on each side of the listening seat. Connect the speakers in a loop with one wire connected from the positive post of an amp to the speaker A, then from speaker A to speaker B then back to the hot positive post of the other channel in the amp. You insert somewhere into this loop and attenuator so you can balance the sound with the main system. The side/rear speakers output is kept very low and only produces out of phase info but the room sounds energized and more like a concert hall. Using a seperate amp you can turn it on and off at will, but its possible to wire this into the main amp (I'm to anal to do that).
This type of ambiance extraction existed before Yamaha and some 'other outfit long gone' (I had one of 'long gones' units) produced a unit which did the same, but added digital delay's so you could select hall size and all that other stuff. I think the extraction you are referring to comes from equipment made by suceeding manufacturers. Got to be too fussy for me and actually never sounded as good as the cheapo way. Although from all I've heard maybe ARC got it right in their unit.
Fun stuff if you've got the space, and I think I'd find this much more interesting that the new multi channel recordings and the replay requirements.
FWIW.