CDWallace -- Like most things in this material world, it's about money.
On another thread, someone (not me) commenting on thee SS-vs-tube amp neverending story, made the brilliant observation that the sonic qualities of tube amps out-pace SS amps at a given price, until you get up into the megabuck range (Lamm, Levinson, Goldmund, FM Acoustics, darTZeel, Pass, and so forth) at which point it really becomes an absolutely moot issue -- really! It simply takes a lot of money before SS catches up to tubes. My guess why (and it's only a guess) is that folks have been working with tubes longer.
And I think the situation between analog and digital playback is similar. If you spend megabucks on digital, (Wadia, EMM, CDS, Esoteric, Aural Symphonics optics, etc) the analog/digital debate becomes moot again (assuming decent LP/CD software for each.) HOWEVER, if you spend less than megabucks for BOTH your analog and your digital gear, the analog is going to sound better than the digital for the same reason that modestly priced tube gear sounds better than modestly priced SS gear: Analog has been developed and refined for over 85 years vs. digital for barely 30. So of course a MODEST analog rig will smoke a MODESET digital rig. What the hell would you expect!
And though I own great examples of both technologies, and enjoy them equally, I know in my heart that analog has pretty much reached the peak of its development, while digital has only begun to be explored -- just to offer a single "for instance": what will happen to digital audio reproduction when 3-D optical storage becomes available? Think about it.
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