Great bass from a linear tracking arm?

Yup, Mhmm, just listened to my ET again. FABULOUS BASS! I don't get it, I'm hearing beautiful, clean, tuneful bass from this arm. I know I shouldn't but I do. What gives? Can anybody help me get less bass and hear this tonearm correctly? Oh yeah, I know I'll hook up my tubes again!

Alright that was uncalled for, but seriously, I really don't understand the "lack of bass" that others talk about. I've had this arm for 12 years and I gotta say that I've heard A LOT of others in other megabuck systems and I really can't see the attraction to the pivoted arm other than simplicity. A used ETII properly maintained is an absolute bargain considering the prices of todays linears. Don't get me wrong Id LOVE a Kuzma airline, but I don't believe it offers good value over a used ET even to those looking for the ultimate. I wish that Bruce Thigpen would have continued making these gems and their upgrades.
In regards to the original post, I have had a couple of different cartridges on the ET and did notice a substantial difference when moving up to the Sumiko Celebration. For an elliptical stylus it seems to dig in deep and get the info out quickly and quietly. This cartridge is known to have a raised level of bass so this could lead to my happiness in the bass department but it also does the rest of the spectrum very well. An EXCELLENT buy and again, I'll thank Raul for this recommendation. I know if he heard it on a linear tracker, he'd start designing the best tonearm ever (smiling!).
Brizonbiovizier I suppose the Brinkmann could have been a bit out of alignment and I'm not saying it was horrible. On the contrary it was beautifull...when it sounded right! What I was trying to convey earlier is that it had a sound which I can relate to all of the pivoted arms I've ever heard. On all pivoted arms I've noticed increased amounts of inner groove distortion especially on the inner (last) track. I can play an LP at home that has mild wear towards the end of side and it is very listenable however when played back on a pivoted system (in this case it was a Brinkmann, another case VPI HRX/12.5/Benz LP) That last track was clearly unlistenable and would be embarrasing to playback in front of anybody. Actually before I took the LP to hear these tables, I didn't know it was slightly worn. I've heard this distortion more clearly on all of the pivoted arms period.
I don't claim to have golden ears or anything as such, as a matter of fact my right ear is very slightly muted and I wonder if this has made me more sensitive to some distortions. Anyway, regardless, I know what I'm hearing, and you know what your hearing and thats what important in the end isnt' it.
Cheers!

As expected there has been a lot of discussion of linear trackers that use air bearings.
What about the offerings from Clearaudio that use gravity, wheels, and tracks? I've read about some of the operational problems that one can encounter with these but what about the sound? When everything is working well are these comparable to the very good air-bearing designs?
Clearaudio

I heard very fine bass performance with ALL the ET arms my friends ran.We(me) are talking about different degrees of "really good".
I have a very good unipivot,and can fine tune "the heck out of it",thanks to what I heard on my friend's Air Tangent,which caused me to try to duplicate some of what I liked,there("some",only).I never felt the need to do so,until I heard so many of my LP's played on my pal's maxxed out A.T.Try the Penderecki Harpsicord Cto,on EMI to know the meaning of "drop dead dynamic/huge,juicy scaled stage",(or the soundtrack to Rashomon)on a pivot.Then play it on a maxxed out linear arm.Case closed,no matter how much rationalizing one cares to do.I wish it was not so,but it IS!!
Prior to that,I thought I was happy.But I will never lie to myself,to rationalize something I own,if I have heard otherwise.Of course I always tell myself that the tubing runs,and pump maintenance would be a bit much,but my friend's really did not work too hard once everything was installed.So now I am rationalizing that I don't want to send back my armboard for re-drilling.TOO much wasted time.Of course I admit to lying to myself,here!The linear arms I have heard(the Forsell is GREAT too,but a bit flaky,and NOW really rare)have something the pivot crowd will not be able to hear,no matter how good(and many are fabulous)they may be designed,or carefully set up!
BTW,the NEW Cartridge Man Parallel Tracker seems to be of a very high quality,and is nicely(fairly)priced.This looks to be a really good design,and has gotten some very good feedback.
I can only speak of the linear arms I know well(E.T./Forsell/Air Tangent),and don't care to spout techno stuff.The practical advantages of a "really good linear tracker" is easily heard,and I wish I had the spare time to screw around with one.
Still,there are a load of very fine pivots(no surprise there),and I am quite intrigued(not that it means anything)with the Dynavector arm,which seems to be kind of a bridge between the pivot,and linear,in some ways.
Perhaps some of the more technical oriented hobbyists could elaborate,here.I PROMISE I will never be a contrarian again!!!!
Best!

I thought the CA designs were even more limited when I heard them.

A person I know who currently owns a number of Airtangent arms (though not the current '2002' model) says that the key to great bass is not higher pressure but a light cartridge.