Thanks for the advice : I agree "the proof is in the music,not in tapping". Be assured I shall experiment as to which resonances need to be evacuated and those that can be damped, as well as, those better left alone.
The areas I intend to focus upon are: The manifold & supports,the addition of a micro thin perforated interface between the top bearing plate and the lead platter , a small micro-fine mesh screen insert that covers but not obstructs the offset air induction-hole built into the inside the bottom plate; the use of high temperature-solvent resistant thread dampener rather than super gluing some parts/screws , the isolation of motor resonances using soft gel compounds ; a removable insert that slides into the 7" tonearm that can be adjusted as to length & will not alter arm's mass while reducing resonance and lastly using metal tape to block potential RFI exposure where the RCA jacks had once exited out the Table.
When I determine if any of these ideas work I shall post the results. Any and all ideas appreciated.
The areas I intend to focus upon are: The manifold & supports,the addition of a micro thin perforated interface between the top bearing plate and the lead platter , a small micro-fine mesh screen insert that covers but not obstructs the offset air induction-hole built into the inside the bottom plate; the use of high temperature-solvent resistant thread dampener rather than super gluing some parts/screws , the isolation of motor resonances using soft gel compounds ; a removable insert that slides into the 7" tonearm that can be adjusted as to length & will not alter arm's mass while reducing resonance and lastly using metal tape to block potential RFI exposure where the RCA jacks had once exited out the Table.
When I determine if any of these ideas work I shall post the results. Any and all ideas appreciated.