Well, Baranyi brought the Ariadne from me, and for me it was indeed plug and play. Set it up on a stable shelf, and just play your music. No tweaking or fiddling involved. It sat in my music room for 10 years, as was just as it was when I set it up when Baranyi acquired it.
My oil trough notions were rooted in a blind listening test (as per usual), back in the day. We played the same track with and without the trough, and didn't hear a bit of difference, though one person claimed the treble was smoother, after asking "Was that the oil one?" It did help stiff-cantilevered Grados like the TLZ track a bit better, but that was about it.
I think you can fiddle with these things and MAKE them more complicated than they need to be. But the beauty of them for me is that they are big, heavy, inert and relatively fiddle-resistant. Set it and forget it.
Your mods are nice ideas. Carbon fiber linear tracking arm? Pretty slick. Would love to see pictures.
I think that Lloyd Walker's work is the ultimate realization of these turntables, and I probably don't ever want to hear one, since I'd rather spend $35k on a car or something. He's brilliant.
My oil trough notions were rooted in a blind listening test (as per usual), back in the day. We played the same track with and without the trough, and didn't hear a bit of difference, though one person claimed the treble was smoother, after asking "Was that the oil one?" It did help stiff-cantilevered Grados like the TLZ track a bit better, but that was about it.
I think you can fiddle with these things and MAKE them more complicated than they need to be. But the beauty of them for me is that they are big, heavy, inert and relatively fiddle-resistant. Set it and forget it.
Your mods are nice ideas. Carbon fiber linear tracking arm? Pretty slick. Would love to see pictures.
I think that Lloyd Walker's work is the ultimate realization of these turntables, and I probably don't ever want to hear one, since I'd rather spend $35k on a car or something. He's brilliant.