04-16-07: Heyitsmedusty
Yes, it's "pre-echo". It comes from two sources:
1) Tape print-through. In thin tape, the strong magnetism from a loud passage can affect the adjacent layers of the tape. This is called "print-through". Good studios avoid this by keeping tapes from winding too tight and frequently rewinding them, so they don't sit in the same position for too long. Also, using thicker base helps, because the tape surfaces are farther apart.
2) Adjacent groove modulation. If grooves are too close together, they can be affected by adjacent ones.
There is no remedy.
http://en.wikipedia.org/wiki/Mercury_Records
"Wow, I can't believe I actually nailed what the sound is called in my post title. It's literally a pre-echo!
I have never heard of this phenomenon. Do more expensive cartridges make this better, or does their better tracking make it worse?"
Yes, it's "pre-echo". It comes from two sources:
1) Tape print-through. In thin tape, the strong magnetism from a loud passage can affect the adjacent layers of the tape. This is called "print-through". Good studios avoid this by keeping tapes from winding too tight and frequently rewinding them, so they don't sit in the same position for too long. Also, using thicker base helps, because the tape surfaces are farther apart.
2) Adjacent groove modulation. If grooves are too close together, they can be affected by adjacent ones.
There is no remedy.
http://en.wikipedia.org/wiki/Mercury_Records
"In 1961, Mercury enhanced the three-microphone stereo technique by using 35mm magnetic film instead of half-inch tape for recording. The greater thickness and width of 35mm magnetic film prevented tape layer print-through and pre-echo and gained in addition extended frequency range and transient response. The Mercury 'Living Presence' stereo records were mastered directly from the 3-track tapes or films, with a 3-2 mix occurring in the mastering room."