08-03-07: Somec59
I got 2 pair of Shahinian Obelisks ($2800 new) at 2 different shops in the same week in Manhattan. 1st pair was 40, second pair was 75. Got a parasound CD Player for 10.00. Pair of Allison One's for 25.00 Pair of KEF 104.2 for 150.00.
That's incredible. Did you get the Shahinians at boutique thrift shops? I know of a couple of hospital-affiliated thrift shops in my area. I guess it might really be worth the drive over.
Closest I came to something like that was a pair of early Nestorovic's (list about $1600) in a pawn shop for $250. I had just bought a pair of speakers for the living room so I passed. I kick myself every time I think of that one.
I can't think of anything that applies to the saying "One man's trash is another man's treasure" the way it applies to LPs. People can't WAIT to unload them, they require maintenance, they lack the portability of cassettes, CDs, and MP3s, and they only play 20 minutes at a time.
And yet, to me the only musical treasure that eclipses a well-recorded, well-mastered LP in excellent condition is a live performance by a world class artist. Not a CD, not an SACD, not a surround-sound DTS-encoded concert DVD.
To me, LPs border on magic, containing--as they do--an actual physical model of some (mixed and mastered) version of the performance as it happened in the studio or auditorium. Pretty much everything that happened is in that groove in the form of a blip or a zig-zag or an undulation. One side of a record is about 1400 ft. long. The temperature at the stylus can reach 500 deg. F from the friction, which momentarily melts or displaces the vinyl until the stylus passes by. A good turntable/tonearm/cartridge setup can resolve things as small as .1 micron.
CDs are the P-mount tonearms of recorded music. They're format-limited to how much detail, ambience, and speed can be retrieved. If it can't be resolved within a 16-bit/44.1KHz digitization, it's gone.