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Stand out phono stages

This topic has been started before by others and myself as well, maybe too many times, but it is worth revisiting since the source is so very important!
So far I have had the pleasure to enjoy two worthy phono stages: the EAR 834p and the JLTI.
I have to admit they are spectacular. Obviously the record and all the equipment downstream play a role in the sound heard. In some cases I prefer the JLTI and in other cases the EAR. But neither out do the other dramatically.
What phono preamps outshine others by a big margin, those that can be considered the last phono preamp ever needed.
pedrillo
paulfolbrecht
603 posts
 
I must say I am really digging my Audio Note Kits phono pre decked out with all the options. Same circuit as the M3, I believe. It's everything you'd want in a tube phono pre. And only about $1200 new.

Building your own stuff is a great way to get off the gear-trading merry-go, since you don't want to sell it, generally. Upgrade it, maybe.
somut
82 posts
 
Precision Fidelity C7/A Revised: Passive line stage with phono. This instrument pretty much stays out of the way.
zenkai1950
34 posts
 
The Threshold Fet 10 PC gets my vote. This is one outstanding Phono Pre.
soundlistening
26 posts
 
Over one week end with a good fiend we compared the Zanden, Boulder, Kondo, Lamm phono-stages. The clear winner was the Kondo for all the 6 ears that attended this very exceptional session. I would also add the EMT139stb with its PS unit firm Van Vliet in NL. I know this phono fitted to an EMT 927; very good indeed with the possibility to switch mono/stereo and also curve selection; NARTB, DIN, RIAA and plat.
So Kondo and EMT 139stb
11flat6
55 posts
 
hi Soundlistening,

was wondering if you could elaborate on yr phono stage shootout?! what cartridge did you use, & in what ways was Kondo M7 Phono superior over the others? did the M7 contain stock tubes?

i'm considering getting a 2nd phono stage. 2 of the units you've mentioned are on my shortlist. appreciate any insight. thks in advance.
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