How did you get into vinyl?


I’ll start with my story:
The roots probably go back to the mid to late 90's when I got into the retro cocktail thing. I started throwing old fashioned cocktail parties with Martinis and Hi Balls and Manhattans and spinning those Retro Lounge cocktail mix CDs with Luis Prima and Martin Denny and Si Zetner, etc.

I've always been a classic jazz fan (Coltrane, Davis, Rollins, etc.) and been into the music of the Rat Pack, so this just became an extension of that. I then started collecting CDs of the artists that were featured in the Retro Lounge collections, along with classic jazz, blues and vocalists. It was very rare for me to purchase, or listen to anything recorded since the 1970s, though I do have a pretty good collection of 80s and 90s rock, it’s just I haven’t been adding to it.
A few years ago my live-in girlfriend and I split up and I gave her the furniture and took the opportunity to completely redecorate the place the way I wanted to- mid century modern or, as I called it, space age bachelor pad. I bought a bubble chair, Naguchi tables, ball clocks, Eames era stuff, etc., etc.- I even got an old pinball machine and bar. I was truly living in the 50’s-60’s.

Last June, I was poking around a flea market in Hell’s Kitchen looking for retro stuff, and I saw a Voice of Music HiFi console from 1957 for $45. I bought it, not sure if it was working, but knew it would look cool in my place. When I got it home it worked perfectly. I had picked up some 50’s/60’s lounge type albums from a tag sale for a buck apiece, just for decorations, and when I got the record player home, I found that it worked and the records sounded very cool. Now the VOM was definitely not audiophile, but it was all tube and these records sounded very appropriately retro on it. That was it- I was hooked on vinyl!

I started collecting vinyl in thrift shops and on Ebay. I noticed the VOM lacked bass, mainly due to the small single speaker that it had. I then saw a bigger VOM console on Ebay that had a 12”, two 8” and two 4” speakers. I got it for $250, and it sounded much better. I have an audiophile digital system that includes an Audio Aero Prima SE CD and top of the line Paradigm speakers, so I knew the limitations of the VOM unit, but I found it was all I was listening to because of the things that many of us love vinyl for- the covers, the ritual of playing the albums, the warmth and musicality of vinyl and tubes. I then got to thinking how great it would be if I built a truly audiophile vinyl system with a good quality TT and tube phono stage and amp. I also want to dig into the VOM and upgrade some components, like the caps, and check the resisters (I already done tube rolling with Mullards and Telefunkens).

Fast forward to a few weeks ago when I got a VPI Aries 3, a BAT PK-5P phono stage, a Hagerman SUT, and a NOS Dynavector Karat 23R MC cart. I also got a VPI 16.5 RCM. In the meantime, I have accumulated several hundred LPs and remembered that I had a few hundred more albums that I had stashed away over 25 years ago! I plan to get a second tonearm wand for the 10.5i so I can put a mono cartridge on it.

I have now fully entered the insane world of vinyl, and could not be happier! Obviously, my taste in music (and all things retro) is perfect for vinyl. Besides the “Lounge” (sounds better than Easy Listening) LPs, I have purchased some essential 180-200 gram reissues- Kind of Blue, Time Out, Steely Dan’s Aja, etc., and have just subscribed to the Music Matters Blue Note 45 reissues. What I love about vinyl (in no particular order):
The ritual that goes with the playing (cleaning, turntable setup, constant tweaking)
-The covers
-The nostalgia factor
-The fact that I can play albums that I owned when I was in high school
-Shopping for LPs at used record stores, thrift shops, tag sales, and Ebay
-And most important- the sound!

Long live vinyl!
raylinds
At best, vinyl will (possibly) approach the status of depression-era glass, respectable as that is... maybe it already has? Our society has been transformed into a "data can represent anything" mentality. I can recall being fascinated by 78's when I was young: that too has passed. I moved from L.A. to a town of 4,000 in northwest Iowa four years ago to try and escape this kind of thing and guess what? Everyone out here downloads music just like big city folks. Let's just accept and enjoy what we love; if we make any converts along the way it is icing on the cake.
I'm under forty (barely)I was about a senior in high-school (1987) when CDs started to became widespread. Up until then all we had was vinyl too. In fact, I dj'd on our college radio station and they didn't get cd players installed until 1990. You had to queue to the track, hand spin to the first notes, then back the record off 1/2 turn to give the plater time to come up to speed when you turned it on. That was fun.
01-25-08: Gaslover said:
"Even in the unlikely scenario vinyl were to make any sort of a comeback, there would be the unfortunate digital pollution somewhere in the recording or mixdown chain. The possibility of being able to purchase purely analog LP's on any mass market scale is remote, other than the specialty labels currently doing this. We are dinosaurs, albeit smug and happy ones."

Yes, but it's not as dire as you may suspect. DSD at 5.6MHz is truly incredible. I don't mind that in the recording chain, at all. In fact, I'm archiving my D2D vinyl in 1-bit DSD at 5.6. Now all I need is a music server that can handle that. There's little hope that there'll be a 5.6 server but maybe DVD-A level will show up in the next year. I'm watching and waiting.

Lots of people are declaring DVD-A dead, but I think it's open format nature may just help it survive. I'm getting great results recording vinyl at that level and creating my own DVD-As and/or downconverting to Apple lossless to get it into my iPhone for travel. It's incredible.

Dave
It's all relative. A quick story... Back in '83 I took my Godzilla to the Vegas C.E.S., along with it's designer. He wanted to hear the Godzilla A/B'd against John Iverson's new Eagle 7A. A true war of heavyweights - amps AND designers. Within less than one minute the Eagle emerged victorious, hands down. It was a humbling moment to say the least (I had just purchased the Godzilla for $3000 - quite a sum in those days!). My point here is that 5.6MHz may appear to be incredible and I am sure it really is; perhaps the ultimate comparison would be to A/B it against a pure analog direct to disk source like something from Sheffield Labs. At any rate that moment of truth back in '83 still haunts me to this day. I have not been surprised by ANYTHING in this hobby since that day. But I will try to keep and open mind. Thanks Dave.
Raylinds : As a child my mother taught me the basics of playing 78's and I spent time spinning discs for my younger sister. Fast forward to the plastic 45 and the explosion of the Lp in the middle 50's(age 10). Lps, at that time ,cost a load $4-6 bucks when compaired to a weeks worth of grocery's for a family of 4 @ $ 22-29 green-ones.

It wasn't till the early sixties when the differental of price vs value changed with the invention of the Discount Store(s) selling selected "Top Forty" Lps for $2-3 dollars a pop. All of this paralled Presley ; the stereo console, record players , and radio units quickly followed by the the mass market Stereo Receiver and The Beatles -- Bamb , Bamb I was hooked.

As a teenager I started working odd-jobs to support collecting the BritInvasion later experimenting with Western, Jazz and Classical. By now I was hooked on vinyl and continue to this day. The good news is that in my community I'm known for collecting Lps so frequently others that want to rid themselves of the orbs literally drop them off at my door. Rare clean vinyl and trashed , I love the treasure hunt moments of looking thru the boxes.

R : Never forget that Record Cleaning in particular Steam Cleaning sure improves the ear-candy experience.