01-26-08: Gaslover said:
"... My point here is that 5.6MHz may appear to be incredible and I am sure it really is; perhaps the ultimate comparison would be to A/B it against a pure analog direct to disk source like something from Sheffield Labs."
Interesting that you should suggest that Dave. The very first cut that I recorded on my Korg MR1000 hard drive, DSD recorder was a cut from Sheffield "King James Version" featuring Harry James and his band in a stunning recording.
I'm modding the Korg to improve the inputs' SN ratio. Listening through the low level noise of that hobbiest unit I have no dcubt that a pro-quality DSD @ 5.6MHz could equal D2D. It's that good. Unfortunately, we can't get recordings like that very easily, unless we do our own (in the works).
BTW, I can't believe how cheaply those Sheffield D2D go for on Ebay. I've got most of them; otherwise, I'd be stocking up. Crystal Clear had some great D2Ds also. I'm glad I bought them while they were available fresh.
Dave
"... My point here is that 5.6MHz may appear to be incredible and I am sure it really is; perhaps the ultimate comparison would be to A/B it against a pure analog direct to disk source like something from Sheffield Labs."
Interesting that you should suggest that Dave. The very first cut that I recorded on my Korg MR1000 hard drive, DSD recorder was a cut from Sheffield "King James Version" featuring Harry James and his band in a stunning recording.
I'm modding the Korg to improve the inputs' SN ratio. Listening through the low level noise of that hobbiest unit I have no dcubt that a pro-quality DSD @ 5.6MHz could equal D2D. It's that good. Unfortunately, we can't get recordings like that very easily, unless we do our own (in the works).
BTW, I can't believe how cheaply those Sheffield D2D go for on Ebay. I've got most of them; otherwise, I'd be stocking up. Crystal Clear had some great D2Ds also. I'm glad I bought them while they were available fresh.
Dave