All companies trumpet themselves and their products favorably. If you expect objectivity and honesty in company-paid advertising you will be disappointed every time.
OL is no better or worse than any other company in this respect. One could find a hundred examples without even trying, from the audio industry or any other.
You didn't mention which OL products interested you, but I used a Silver Mk I for a couple of years and it was one of the best value components I've owned. It wasn't world class, but in a world of $8,000 tonearms I didn't expect world class performance for $800, marketing claims notwithstanding. With a few cheap tweaks that Silver outplayed some $3K arms I compared it with, so for my tastes there was plenty of steak. ;-)
I wouldn't choose OL's highest priced arms because they lack the precise adjustability which today's reference level cartridges respond to with stunning sonic results. But for most rigs and systems you can spend more money and do much worse than buying a mid-level OL arm.
OL is no better or worse than any other company in this respect. One could find a hundred examples without even trying, from the audio industry or any other.
You didn't mention which OL products interested you, but I used a Silver Mk I for a couple of years and it was one of the best value components I've owned. It wasn't world class, but in a world of $8,000 tonearms I didn't expect world class performance for $800, marketing claims notwithstanding. With a few cheap tweaks that Silver outplayed some $3K arms I compared it with, so for my tastes there was plenty of steak. ;-)
I wouldn't choose OL's highest priced arms because they lack the precise adjustability which today's reference level cartridges respond to with stunning sonic results. But for most rigs and systems you can spend more money and do much worse than buying a mid-level OL arm.