Great Cartridge for Graham Phantom


I can hardly wait!!!
I've got a Graham Phantom being instaled in a new TW Acustic Raven One.
I know many of you have Graham Phantoms on superb tables.
What are the awe inspiring matches for the Phantom???
I listen to Classic Rock, Classical, LOTS of vocals, organ, choral.....in other words, a bit of everything. My priorities are musicality, recreation of the recording venue, soundstaging, musical emotion, beautiful harmonies, and NOT microscopic detail. The rest of my system has resolution in spades........Wilson Sophias, Audio research Mono Blocs etc.
So what is the final piece in this system? Give me your best choices.

Thanks,

JIm
jdolgin
Larry,good point about the jig.I always "average out" the set-up jig,by hand when adjusting this.I said,to myself,that if I ever actually receive my Phantom,I will attempt to re-check the set-up,with other devices too.Yet,the jig is still quite good,so let's not start a riot-:)
As to the "resonant characteristic" that can add dynamics to music.I totally agree with you again,insofar as I understand what you mean.
Yet,the Temper-V(which I owned and used on a Graham 2.2 is definitely NOT the least bit lacking in dynamics.The arm/table set-up will greatly influence this,IMO!I was able to coax(using the damping fluid)either a laid back sound,or very dynamic sound with that combo.The particular Lp played,and my mood, set the tone for how I wanted it that day.The Orpheus does blow the Temper away though,even though I was still in the break in mode,when I sold my 2.2,so I cannot wait to get back to that cartridge!
If you heard a lazy Temper-V,I assure you it was not the cartridge,unless old,or damaged!
Ultimately the "added resonant signature thing" wears on the listener,unless one likes to reset arm damping often,on the 2.2(still a great arm,btw,and I'm beginning to miss mine).
The "resonant thing" came into play,when I wanted to reset parameters on the 2.2.Meaning I used specific LP's to find the "right spot".This "spot" was always a moving target!I could get it right for a series of discs,but it always changed.
The Phantom(my friend has it,which replaced a 2.2 too)holds steady!!!.....GAD,I hope mine comes through....SOON!I'm beginning to look at the Caliburn Copperhead,and am beginning to think..."what if"?
One particular favorite LP I use for the "resonant thing",is a disc called "the Pealing Bells Of The Westminster Handbell Choir"!...A fabulously well recorded LP,of gorgeous handbell music!!Incredibly dynamic,and detailed(expensive too...mine cost a buck)Recorded in Princeton,at the church which is one block from my favorite collector's haunt.
If one is not careful with the arm set-up,the bells come off sounding like glass.....HERE you MUST be extremely careful with an arm like the 2.2,as it is easy to either get too much glass sound(the bells are metal,and pictured,btw),or a slightly overly damped sound.
A great disc to set a system to,because if gotten right,your entire set-up came to life.Almost!!The "resonant signature"(which is voiced to,on the 2.2) can work in favor,or against the set-up person on LP's like this.I still have lots to learn,and know it!
On this subject I would "then" concentrate on "that" resonant thing!A real balancing act,on this LP!Must admit,when I was alone(without my critical friends present)it was alot of fun....If my pesky/picky friends were in a bad mood,it was an annoying tweak session.I HATE to sweat,in set ups,where we go to a nice restaurant afterwards,and I am the only guy schvitzed!... BTW,I took this disc over to my friend,when he had the Air Tangent....there,surprisingly,it still had a slight glassy quality.I was not about to ask my friend to "voice" to this disc,as he has his own set of priorities.Still it was interesting to me.
I will definitely be interested in how the Phantom(a "phantom" to me,as of now)"does this" when I get it.Hopefully within a week or so.So I have been told.
Best.
Can Phantom users tell me how much dampening fluid they use? I use mine at the minimum level of the required range.
Minimum level is fine.Just add or subtract a tiny bit at a time,for perfection.Based on YOUR tastes.
Good luck
I find the Titan I to be very dynamic in the Phantom. IF you put too much damping fluid you will "slow" down the cartridge & it will not sound live. How much do I use? Not sure but not a lot. I tuned by ear. As the cartridge breaks in further tuning might be needed. The Phantom is one of the most live sounding tonearm I have tried if you don't add damping fluid. I tried a few cartridges that way. No tracking problems are anything just a little edgy. The little bit of damping fluid removed the edginess.

As for setup, honestly, I checked the Phantom setup tool myself feeling it to be not 100% accurate against the DB Systems protractor using the magnifying glass. It was spot on. I was surprised but there was no deviation at all between the 2 null points. I thought it would be off.

Now, a final point and this is a big one. What tonearm does not change HTA whe you change VTA. Basic geometry. Slight changes in VTA will do very slight changes in HTA if you have a fixed bearing. I do check HTA if I do a major change in VTA. Mind you, must arms the VTF changes if you change the VTA too much. Just simple physics.
What is the recommended weight for the cartridge being used for this tonearm.