Graham Phantom vs Triplaner


Wondering about the sonic traits of both these arms compared to each other.

- which one has deeper bass,
- which one has the warmer (relative) balance
- which one is compatible with more cartridges
- which one has the better more organic midrange
- which one has the greater treble detail.
- which one plays music better ( yes this is a more subjective question ).
- which one goes better with say the TW acoustic raven TT.
downunder
Let me say again that my impression of these tonearms is based on MY OPINION and on my SYSTEM. Everybody has their own opinion on what's too bright or too warm - so the best thing sometimes is to try the tonearm yourself and see what's suit you but often it's hard to get both of these yourself so i really understand the need to ask everyone before you commit yourself!

Let me say something about myself too - i prefer warmer sound and looking more for midrange. I have other friends or audiophile who look neutrality or live and dynamic sound; i understand that my taste is kind of colored but hey, that's my system and that's the way i like it.

Both these arm are great and you can not go wrong with either but depending on your taste, one may suit you better so keep reading and most important is to look at what condition and systems these arm are set up - all equipment/arm/cartridge are very system dependent so pay attention to these facts when you read other people opinions about these arms...

Good luck Downunder with your search,
Sirspeedy, having heard a variety of linear tracking arms including the Air Tangent, and also as a fan of the idea, nevertheless its been my experience that they don't get the bass right- something that both the Graham and the Triplanar have no problem with.

Of course, as soon as you increase the air pressure, things get better, but the problem is simple- there should be no play *at all* between the platter spindle and the body of the cartridge. Air bearings, regardless of air pressure, have play and it is something that you can always hear if you have a system that has good LF definition.

If someone were to come up with a linear tracker that had zero play/slop in the track, then they would have something!
I have to second Sirspeedy's discourse on the fallibility of the hobbyist in setting up their arm/cartridge/table combination optimally. As such, definitive statements (including mine) must be tempered by this obvious fact. I have had the Phantom for well over a year now and would certainly not characterize it as contributing to a dull or boring sound. Additionally, this arm is very dynamic and allows the cartridge to extract a tremendous amount of detail/information from the record groove. It is a superb arm in all performance categories.
Btw,as a humorous afterthought...the maxi pump(what I called it)was housed in a closet,in one of three LP rooms(each chocked with amazing LP's).Not in the main audio room.It was on the floor,in between three pillows(used to damp it).Hysterical,in the best ha,ha sense.
When the unit's compressor kicked in,about every fifteen minutes or so(from memory),the whole house shook for a second or two....Talk about great bass!!-:)
I used to laugh watching Sid get down on all fours,in this little closet,to bleed off air,after long listening sessions.
An absolute classic,in both listening fun,and the actual audiophile himself(Sid)!!!
Atmosphere,yes I cannot disagree with you,but the vast amount of my own experience with airline arms was at my friend Sid's home.He,and his close friend, had the Air Tangent set up with the original pump.Sounded about how you would describe it.Very good.Not great.Sid wanted more,so got in touch with his audio network. Then...one of them came up with the idea of getting a MAXI(in size) pump,which was sourced from a dentist(in Canada).It literally was the size of a motor boat motor!Sid got the OK(he was very tight with audiophile "A") to try to get one,and was lucky to source one from another dentist in Brooklyn.I know this is really laughable,btw.
Well the difference in bass,and stage dimensions(not to mention an ambient texture to die for) was huge.I heard it both ways,and this new version was used for a long time.I've heard it on dozens of occassions!
Since I knew his system very well,when the arm was removed,for a commonly used unipivot(not mentioning which one,but NOT a Graham),the performance took a nose dive!!
Some pals of ours kind of predicted this,but that's how it played out.Sadly.
The Air Tangent/Mega pump was responsible for all the Mercury,and RCA reviews in TAS!
Of course this is one of those posts which is included in the "why take my word for it" category.Which is how it should be!!....It's how I,and about a dozen guys heard it too,btw!.....A GREAT ARM!!!...and I don't believe I will ever hear such a fabulous audio component again.
I'll bet the Kuzma is in that company,but I cannot afford one.I'll have to settle for a Phantom,if it ever arrives!
Best.