Why the sudden popularity of 12 inch arms


VPI was the only mainstream manufacturer for years, now we have 12 inch arms from
Kuzma, Schroder, SME, Consonance, Brinkman to name a few.

Why is this?? fad or long term

Would a 12ich Grahham, Triplaner or Basis be a better sounding product??
downunder
SME has been making 12" arm for years, Japanese especially loves the old SME 3012 and some 3012 were made with beautiful gold plating. Genesis168 pointed out the key point and that's why 3012 is a favorite of Japanese who value musicality over speed and detail.

SME moved away from 12" arm for years when they introduced SME V/IV/309 family, but now they are introducing 12" arm again. Market demand might be the reason for the re-introduction of 12" arm.
Although longer arms produce less tracking error, they also have higher effective mass.

In the 70s, there was a common believe that cart should require light tracking force. Most of the MMs in that era were tracking at less than 1.0g. Even MCs were tracking at less than 1.5g. In order to achieve that, cart must be very high compliance and they were poor match for high mass arms. Therefore, those 12 inch arms were slowly out of favor and disappeared from the market.

Nowadays, most of the carts are medium to low compliance. They can work well with 12 inch arms.
Some creative marketer will call it a "304.8 mm arm" and charge an extra $600.
Tracking error issues/differences are nothing compared to the destructive effect of crappy bearings. Great bearings is what put SME on the map after all!

Beyond great bearings, straight line tracking is the best since it mimics the action of the cutting lathe; but its benefits can only be realized by solving (at great expense) the other mechanical problems straight line mechanisms present.

To me, a 12" arm that is both lightweight and free of resonances implies a cost/benefit ratio that is not going to be favorable compared with a 9" arm.
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I would venture that the original primary market of the 12" arm was the broadcast industry, and that was partly driven by the broadcast industry's use of larger diameter records sometimes. Home audio's use of 12" arms was always marginal. LPs have pretty much disappeared from broadcast studios, so manufacture of 12" tonearms dropped precipitously.

But as vinyl has been revived in home audio and gone decidedly upscale, a compact footprint is no longer an essential sales point. A larger turntable footprint provides the platform for trying a 12" tonearm for lower tracking error. So if 12" arms are on the rise again, it would be purely in response to the home market, whereas before it was driven by the broadcast industry.