Got a New CD Player and Now I'm Bummed


Hope to get some help here...I recently added an Esoteric X-03SE to my system the details of which you can see here. I've always been a huge fan of vinyl and have a large collection--many more LP's than CD's. The problem is my digital front end is now WAY better sounding than my analogue set up. (My last CD player, a Naim CDX2, was about on par with my table--better in some areas, not as good in others). I'm finding myself listening to many more CD's while my LP's are dying for attention. I never thought this would happen to me! So, now I'm faced with upgrading my analogue to the point of parity (or better?) with my digital. (Wierd, right?). I could use some suggestions. One limiting factor is the overall height of the new analogue set up cannot be much taller than what I have since it needs to sit on a wall mount shelf that fits inside our entertainment center. So, I need a table/arm/cartridge set up that sounds DRAMATICALLY better than my Scout/JMW9/Dyna 20XM but doesn't need a ton of head room. What do you think I need to spend to get significantly better performance than what I have already? What would you all suggest for a new analogue front end? I'm thinking a Scoutmaster, Sota Cosmos or perhaps going back to an LP 12 with works. Ideas? Thanks!
dodgealum
Doug:

Thanks for your thoughtful and well reasoned response. I think you are right on the mark. I feel that while the Scout may be a good table at it's price point it simply cannot compete with a top shelf digital player like the Esoteric, no matter how it is situated. I do think that the responses here suggest a real reluctance on the part of the audiophile community to recognize the gains that have been made in digital playback. It seems most people focused their comments on what must be wrong with my LP setup--otherwise, how could it possibly be bested by a CD player? Again, I've been drinking that Kool Aid for a long while myself. When I got my Naim CDX2 it was an eye opener. In some respects it surpassed my Scout in performance, though overall I'd rate them equally capable components. The Esoteric has moved things to a whole other level, to the point where I am not convinced that any upgrade to the Scout will allow it to compete. This is why I started this thread--to get some opinions on another analogue setup that will work in my situation and will provide performance at (or above) the level of my digital front end. Doug--you have indicated that none of the tables I mentioned will do this--do you have any others in mind that will? Once I upgrade the table I can look at changes to my preamp and phonostage that will allow me to take full advantage of my vinyl rig.
I for one do not care a bit whether or not you like your cdp better than your turntable. And I do think it's possible for digital to "outperform" analog, regardless of cost, if for no other reason than the fact that the judgment between the two media is subjective. I was only trying to comment on what might be subpar about your analog set-up, and I deliberately stuck to discussing things you could do that don't cost a fortune. (Meantime, I apologize for not reading the text of your post more carefully re the mounting of the Target shelf.) It's also easy to say that for thousands of dollars more your analog sound could be bettered. Anyway, it seems to me that you are the one who is being a bit pig-headed here; what have you got to lose by (i) moving the table outside of that cabinet enclosure, (ii) replacing the elastic belt with a thread per D Garretson, and (iii) trying a motor controller on the tt motor? (The last will cost money, but if you buy an SDS or Walker motor controller second-hand, you can likely recoup all your money on re-sale, should you find that it is not effective. I bought my Walker MC off A'gon many years ago with the notion that it was a crock worth trying, and now I cannot listen to vinyl without it.) It's highly likely that those 3 steps will make you quite happy.
You might want to try adding Stillpoints under your table. These seem to have a very strong following for providing amazing enhancement to turntable support.

Another idea would be to add a Sistrum support. I recently added one uner my Teres 255. My teres sits on top of an Adona granite slab that has a substrate underneath to better absorb resonance from the granite. Then I have the sistrum between that and another granite slab ontop of a wall mount shelf. I found the wall mount to be a significant step up from any traditonal floor mounted rack, especially because the house I'm in is on a suspended floor. I'd be surprised if your wall mounted shelf is the culprit.

Another suggestion echoing others is to get a new preamp/phono stage. The biggest thread on Audiogon is the Preamp Deal of the Century thread about the Supratek preamp. Getting a Syrah or Chenin from Supratek might really catapult your vinyl to the next level.
Dodgealum:
I had to chime in on this discussion beacause I have experienced your dilemma. I have a wonderful high resolution system with Wilson Audio Sophias, Audio Research Mono Blocks...etc. I started my analog journey with a basic scoutmaster. The analog source was so profoundly involving that even though I had a fine digital front end, I was listening to vinyl almost all the time. I couldn't believe the Scoutmaster was not resolving enough to provide more information than my digital front end.
I started on the upgrade "journey"......... first the SDS, then the JMW 9 Signature arm, then the center weight and ring clamp , then improved cartridges...and even though I loved the music I was experiencing from my analog front end, being a former classical musician, I knew there was more. I wasn't about to make a significant upgrade without a personal audition, so I started looking around. I was able to audition a wonderful Basis Debut with Vector arm, and the TW Acustic Raven AC and Raven One. The numbers to buy a statement table were intimidating, but I ultimately
acquired a TW Acustic Raven One with Graham Phantom and Dynavector XX2 Mk2.
The experience of listening to my recoeds was a revelation. This was the first time in my audiophile carreer (30yrs) that I actually heard instruments sound the way they did when I was performing. All of the audiophile goodies were there but that wasn't the story.
It was REAL MUSIC. Not perfect, but real. Doug's advice is spot on. Yours is not an issue of a cabinet or shelf or anything else. If the front end dosen't deliver the truth, no tweeks in the world can make it right.
I've been there, I've done it and I can tell you that a first class, high resolution, music making analog front end makes all the difference. There are many fine choices...the two I auditioned were fantastic, I'm sure the Gallibier and Teres are also wonderful. The music is there, it only takes an outstanding front end to sing it or play it for you. I listened to Allison Krause last night......late, dark room, silent house....you know..it was exquisite....truly moving. If you can swing one of these great tables, you'll be thrilled. The RavenOne was about $5000 for the table, and I'm sure others are way beyond. If you can do it, I promise you'll get what you seek. It's a true joy.
Jim
Dodgealum,

I see several good suggestions in posts above. What I would like to know is: What areas of your vinyl performance are you no longer satisfied with. Each of us have different priorities and those priorities can make a significant difference in the direction we go in terms of upgrades. I'm not asking so I can to offer advice on what you should purchase. I'm simply asking in order to better understand your situation in terms of the contrasting output from both sources.

If you don't mind sharing the details, I'd like to know more about the differences you are experiencing between source components.

Thanks,
Dre