Got a New CD Player and Now I'm Bummed

I for one do not care a bit whether or not you like your cdp better than your turntable. And I do think it's possible for digital to "outperform" analog, regardless of cost, if for no other reason than the fact that the judgment between the two media is subjective. I was only trying to comment on what might be subpar about your analog set-up, and I deliberately stuck to discussing things you could do that don't cost a fortune. (Meantime, I apologize for not reading the text of your post more carefully re the mounting of the Target shelf.) It's also easy to say that for thousands of dollars more your analog sound could be bettered. Anyway, it seems to me that you are the one who is being a bit pig-headed here; what have you got to lose by (i) moving the table outside of that cabinet enclosure, (ii) replacing the elastic belt with a thread per D Garretson, and (iii) trying a motor controller on the tt motor? (The last will cost money, but if you buy an SDS or Walker motor controller second-hand, you can likely recoup all your money on re-sale, should you find that it is not effective. I bought my Walker MC off A'gon many years ago with the notion that it was a crock worth trying, and now I cannot listen to vinyl without it.) It's highly likely that those 3 steps will make you quite happy.

You might want to try adding Stillpoints under your table. These seem to have a very strong following for providing amazing enhancement to turntable support.

Another idea would be to add a Sistrum support. I recently added one uner my Teres 255. My teres sits on top of an Adona granite slab that has a substrate underneath to better absorb resonance from the granite. Then I have the sistrum between that and another granite slab ontop of a wall mount shelf. I found the wall mount to be a significant step up from any traditonal floor mounted rack, especially because the house I'm in is on a suspended floor. I'd be surprised if your wall mounted shelf is the culprit.

Another suggestion echoing others is to get a new preamp/phono stage. The biggest thread on Audiogon is the Preamp Deal of the Century thread about the Supratek preamp. Getting a Syrah or Chenin from Supratek might really catapult your vinyl to the next level.

Dodgealum:
I had to chime in on this discussion beacause I have experienced your dilemma. I have a wonderful high resolution system with Wilson Audio Sophias, Audio Research Mono Blocks...etc. I started my analog journey with a basic scoutmaster. The analog source was so profoundly involving that even though I had a fine digital front end, I was listening to vinyl almost all the time. I couldn't believe the Scoutmaster was not resolving enough to provide more information than my digital front end.
I started on the upgrade "journey"......... first the SDS, then the JMW 9 Signature arm, then the center weight and ring clamp , then improved cartridges...and even though I loved the music I was experiencing from my analog front end, being a former classical musician, I knew there was more. I wasn't about to make a significant upgrade without a personal audition, so I started looking around. I was able to audition a wonderful Basis Debut with Vector arm, and the TW Acustic Raven AC and Raven One. The numbers to buy a statement table were intimidating, but I ultimately
acquired a TW Acustic Raven One with Graham Phantom and Dynavector XX2 Mk2.
The experience of listening to my recoeds was a revelation. This was the first time in my audiophile carreer (30yrs) that I actually heard instruments sound the way they did when I was performing. All of the audiophile goodies were there but that wasn't the story.
It was REAL MUSIC. Not perfect, but real. Doug's advice is spot on. Yours is not an issue of a cabinet or shelf or anything else. If the front end dosen't deliver the truth, no tweeks in the world can make it right.
I've been there, I've done it and I can tell you that a first class, high resolution, music making analog front end makes all the difference. There are many fine choices...the two I auditioned were fantastic, I'm sure the Gallibier and Teres are also wonderful. The music is there, it only takes an outstanding front end to sing it or play it for you. I listened to Allison Krause last night......late, dark room, silent house....you know..it was exquisite....truly moving. If you can swing one of these great tables, you'll be thrilled. The RavenOne was about $5000 for the table, and I'm sure others are way beyond. If you can do it, I promise you'll get what you seek. It's a true joy.
Jim

Dodgealum,

I see several good suggestions in posts above. What I would like to know is: What areas of your vinyl performance are you no longer satisfied with. Each of us have different priorities and those priorities can make a significant difference in the direction we go in terms of upgrades. I'm not asking so I can to offer advice on what you should purchase. I'm simply asking in order to better understand your situation in terms of the contrasting output from both sources.

If you don't mind sharing the details, I'd like to know more about the differences you are experiencing between source components.

Thanks,
Dre

Dougdeacon, I complete agree with your assessment on the Scout. For the
price it is an excellent table but the next step (as I mentioned already above)
bring huge improvements in analog playback.

Just a quick comment on one of your points as I think there is a way around
point 2:

2. The Scout is driven by a rubber band (in effect). No
drive mechanism containing elastic torque couplings can maintain constant
speed when faced with a variable load (ie, stylus drag). That is not an opinion,
it's basic engineering. My platter weighs more than your entire TT. It has
several times more rotational inertia than your platter. Yet if I switch to an
elastic belt like yours my sonics go instantly downhill. Transients are dulled,
dynamics are softened, bass is limp, mids and highs are smeared. All the
tweaking in the world will not eliminate the flaws inherent in an elastic drive
train.

I generally agree with the statement about elastic belt drives, but I do need to
add that there are implementations that get around most of these problems
without resorting to sheer mass: The DPS table features a friction bearing so
that the motor continuously works against a large constant drag. This
simulates a much heavier platter and also makes it immune to the variations
in the neglible drag of the stylus. This is a very different situation from the
one where the stylus drag is dominating. A very well know tonearm
manufactures has mentioned the DPS 3 as one of the 5 best tables around for
a reason ;)

From my experience the DPS is the only table I listened to that was on par
with some of the high mass tables like Thom's Galibier tables without the
heavy and problematic mass loading. I would not be able to put a 150 lbs
large monster in my small place - the 50 lbs of the DPS are enough. A high
mass table like Teres or Galibier may in fact be problematic for Dodgealum
on his wallshelf as well.

Overall I agree though, to beat the Esoteric in all regards you need to resort
to different table than the Scout. As mentioned above, a friends Scout is very
good but now quite on par with the Esoteric in my experience. Aside from
Teres, Galibier, and DPS, I would also look the TW Akustik Raven One,
Loricraft Garrard, Amazon Model One, although I don't have as much
experience with these last three.

Good luck!