Grand Prix Audio Monaco Turntable


FYI, Hi Fi Plus (an excellent UK audio magazine) just did a very thorough review of the Monaco turntable. I have had the turntable for a year and think it is incredibly transparent and very involving - you really get pulled into the music. I could never explain why I found the turntable so engaging, but I think Roy Gregory has done a very good job of explaining why. I have had the VPI HRX and am very familiar with a number of the high end tables (e.g., the SME 30 and top of the line Brinkman)and thought those tables were very good, but I never had the same connection with the music as I do with the Monaco
cohnaudio
For those interested in the GPA Monaco turntable review. Here's the link:

http://grandprixaudio.com/Roy-Gregorys-Review-of-the-Monaco-Turntable.pdf
Dear Henry: Thank you for the HiFi+ review's link of the Monaco, here in México we can't find that magazine, only when I travel to USA I can buy it.

My hat off to Gregory, this is a professional review made for a proffesional person ( instead the MF one, with all my respect to him, looks like an amateur one. ) no doubt about.

I don't want to make a " book " here. IMHO the most important subject on the review was ( between other nice things ) that first than all Gregory works hard to understand ( and I mean it ) why, how and where comes the " different " ( nearer to the recording/music ) very high quality Monaco's performance.
He try and he achieve a very high level of un-equalize his brain from what is the standard top belt drive TTs performance, he don't try that the Monaco can sound like all other TTs but he try that the Monaco performs like the Monaco with its own advantages and real differences.

He try several cartridges ( I love that Ortofon 7500, one of my reference cartridge ), phono stages, TTs, etc, etc.

I agree with him in several different aspects like : about TTs designs over the years ( does not change anything. I posted here about in the MM cartridge thread before the Monaco review. ), about the importance ( over the TT ) of tonearm/cartridge combination/matching, about the critical importance of the Phonolinepreamp that with the Monaco and other top TTs " becomes much, much more significant ".

The Gregory's review is a learning one ( for say the least ) in many important and critical areas, Bravo!!!!!!

Regards and enjoy the music.
Raul.
Mtkhl,
Thanks for posting the review of the Grand Prix Monaco. HiFi+ will not be available in the US until May 2. I generally find RG's reviews to be fair and honest, but ocassionally wish that he would talk a little more about the interactions among various pieces of ancillary equipment, such as a power amp and the speaker under review, etc. In this case, he seems to have done a good job in that area. It would have been nice had he tried the Dynavector tonearm which is reputed to be a very good match for the table. Do you find that power cords and AC filtering have any impact on the sound of the TT?
Raul, I agree with you entirely. Now that you read the review, wouldn't it be
interesting to learn what that would sound like in your rig? Btw, for future
reference, at www.hifiplus.com you can buy an eMagazine version of any issue,
and other backissues.

Fcrowder, that is another beauty of this turntable the power from the wall is not
used to drive the platter! The power of a small battery would work too! It uses
5V DC and thus no influence from dirty power, no impact from power cords or
conditioning systems. I tried, Gutwire, Siltech, PS Audio, and no difference from
my stock $1.99 supermarket cord.
Dear Henry: Certainly I will do it sooner or latter and thank you again for the HiFi+ link.

Obviously there could be no same Monaco level performance but my SP-10MK2 ( with out plinth, very important subject. ) is doing things very well and in many ways better than my BD ones.

Anyway here through the Monaco design all of us have a " different very high quality performer new kid on the street " and this fact is a welcome one to all audio industry!!

Regards and enjoy the music.
Raul.