FWIW, I still have a highly modified (software/power filter) 2010 MM and LPS. But in my system, my CAPs based server sounds better paired with the Big Six. Not worlds better, but definitely better, just smoother, quieter, and more detailed through the mid-range. Bass is pretty equal. The MM has a bigger stage and sounds warmer, so I think it could work better in a slightly "cool" system, but overall sounds a bit veiled in comparison. This comparison reminds me of the Joule OTL sound vs. my Coincident/Yamamoto SETs, the OTL just let the music through unfeathered, while the SETs added a bit of color (of the good variety) to the music.
I haven't heard a stout 2009 MM rig in my system, so not sure how it would fare in my system. I agree with Charles1dad, the server that will work best in ones system will depend on the other components and synergy. Both are great solutions if you pay attention to all the little details. I'm very curious about the SB, Lamp transport, and other solutions, but you still need to send the bits to the DAC and if that's not up to the task it's all a bit futile.
Back to the thread topis, I agree that L4/G4 Lamp is a special DAC. It is supremely musical and involving. The most 3D presentation I have ever heard, music floats. It's only slight draw back is the way it forces all music to feel too relaxed which could be a drawback for the rockers and head bangers.
My Big Six is involving, but to me not at the level of the L4's musicality, at least not yet. I've got about 200+ hrs on the Big Six and it's more of a "grab you by the throat" kind of DAC that has awesome resolution and can delineate images that the L4 left blurred, especially with complex passages. If it can float music out there instead of projecting it then the Big Six will probably be the last DAC I have. I'm hoping it has the 3D gene in its DNA...
I haven't heard a stout 2009 MM rig in my system, so not sure how it would fare in my system. I agree with Charles1dad, the server that will work best in ones system will depend on the other components and synergy. Both are great solutions if you pay attention to all the little details. I'm very curious about the SB, Lamp transport, and other solutions, but you still need to send the bits to the DAC and if that's not up to the task it's all a bit futile.
Back to the thread topis, I agree that L4/G4 Lamp is a special DAC. It is supremely musical and involving. The most 3D presentation I have ever heard, music floats. It's only slight draw back is the way it forces all music to feel too relaxed which could be a drawback for the rockers and head bangers.
My Big Six is involving, but to me not at the level of the L4's musicality, at least not yet. I've got about 200+ hrs on the Big Six and it's more of a "grab you by the throat" kind of DAC that has awesome resolution and can delineate images that the L4 left blurred, especially with complex passages. If it can float music out there instead of projecting it then the Big Six will probably be the last DAC I have. I'm hoping it has the 3D gene in its DNA...