A Newbie's First Week Impressions -- Vinyl Rules


Well after owning my first turntable for a week and having let the cartrige run in a good bit (Music Hall MMF-5.1 with Goldring 1012 cart), I've come to the conclusion that I've heard nothing digital that even comes close to the realism here. In a way it feels as though somehow I have rediscovered music. Up until now, I had never heard a half-decent analog system, so I didn't know what to expect. I certainly didn't expect this much of a difference. So often on these forums I see comments posted by "vinyl zealots" and I can see how it is very easy to become one. And this is all with a very modestly priced turntable setup. I now feel as though my system has room to grow. Before I was always trying to dampen and smooth out the harsh sound of digital. I used to think that the harshness was caused by other things (solid state instead of tubes, bright speakers, etc.). After purchasing this turntable I discovered what the problem had been this whole time. I will probably never be able to afford a cd player that I think is capable of coming close to analog playback (I would imagine it would take a good $10k to reach that level). So to achieve audio playback that is acceptable to my ears, digital is just out of my reach.

So I guess this rant is really just my way of saying hello and welcoming myself to the vinyl crowd. I know I'm gonna be part of it for a long time.

P.S. Do you guys have any recommendations for record cleaning and ways to reduce static? I've already got a humidifer running...
jwglista
I was always trying to dampen and smooth out the harsh sound of digital.
I know any number of audiophiles, some with systems costing well north of $100K, who've spent years and dollars trying to do just that. They typically end up with a bunch of rosy, smooth and soft sounding components that smother the life out of the music - all to make digitized waveforms tolerable.

When they (re)discover analog, they have a hard time shaking the (false) concept that their components need to protect them from the sound by gentling it. Natural waveforms don't need gentling, they need the most honest and accurate reproduction your budget and skills can achieve. Whatever level you're at, or hope to be at, the first thing to do when shifting to analog is to appreciate that honesty in a component is a good thing, never a bad thing. This is true of every component in the system.

And yes, record cleaning is essential. Playing any record, old or new, before proper cleaning guarantees inferior sound and risks permanent damage. Headsnappin' explained why. Welcome to vinyl madness. Enjoy!
And I am in the opposite camp I have never heard a vinyl rig that made me want to go there. Except for the fact that I have a bunch of vinyl in my basement and some TT's are very cool looking. My friend has a JA Michele (sp) and it is absolutely gorgeous. But not better sounding than my digital but it may just be his system.

Of course in my system I might change my mind. But I have never been able to get past the surface noise. Even minuet pops and clicks bother me.

Oh and yes he has a record cleaning machine and swears by it.
I use a loricraft prc3. It is a miracle worker often restoring old records to new condition. It cannot of course remove scratches but often what seems to be a scratch turns out to be dirt. The machine was bought new and cost £1200! However if you have decent size record collection it will soon pay fo itself. Incidentally new records often benefit too.
I wish there was a way I could go all vinyl and never see a digital medium or cd again. I cannot because most Live Dead releases are on cd and occasionally something else appears on cd that simply cannot be had on vinyl. But, if any of you have heard a first-rate table set up carefully -here I am thinking of RMAF 2007 and Roy Gregory's and Richard Foster's dem- I am sure the question of vinyl's superiority would be moot. Sadly, many of us have not heard these "hidden" qualties in their tables and systems even though we think we have.