Lost on next upgrade from SME 20/2 + IV.Vi arm ...


I am really struggling on what upgrade to do next. I have several thoughts. Budget is 15k or tops, prefer to keep it to 10k.

1)I could upgrade my BAT 51SE to a BAT REX.
(my thoughts, a good step up, but another box with heat pouring out, another power cord, and a bunch more tubes in a already all tube system)

2)upgrade my vinyl front end. Several thoughts here..

-Keep the SME 20/2, upgrade the arm to a Graham Phantom, Triplanar, or maybe DaVinci/Shroeder.
-Keep the SME 20/2 and SME IV.Vi, upgrade to the Purist anniversary tonearm cable from my current Venustas.
-Trade my VPI 16.5 cleaner in for a Loricraft.
-Trade the SME 20/2 for a TW Acustic Raven AC, keep the SME IV.Vi arm.
-Trade the SME 20/2 for a TW Acustic Raven AC, and get a new arm.
-Trade the SME 20/2 for another table?
-If I trade the table&arm, then what arm?

My system is posted. I'll appreciate all thoughts and comments. I've read about all the posts I can on the arm and table choices I've listed above. I've also emailed a few of you on my selections above.

Also, one choice is to chill out and just enjoy what I have. It's pretty killer as it is. If I want to spend the money still, give it to charity or church.

Thanks in advance!
128x128jfrech
Dear Dan_ed: The Lyra Scala is a very good quality performance MC cartridge even better that what the people think.

IMHO and as I see it a different cartridge could give John a different sound but not necessary what he is looking for. You have to think that in his today system the Scala signal has to pass for too many steps ( at least 9 before amps ) where not only is loosing original recording information ( that he can't recovery never again ) but in each step it is adding additional " wrong/bad information " that does not comes in the original recording.
IMHO what he or any one that cares about music sound reproduction ( and that invest high dollars in audio items ) is to take care ( extremely care ) to preserve in the best way the original cartridge signal because if not then what we are hearing?, certainly " sound " that is very far from what is in the recording because of loosed information and additional non-recording one.

That fact will be the same it does not matters which cartridge he is using, the real subject it is not on the Scala ( that I know he like it, who don't. ) but IMHO in the excessive cartridge signal manipulation.

Dan try to take/get a picture/photography with 9 veils in front of the " object " and you obtain an almost totally " cloudly " image that you can't say what it is, now take the same picture/object with only 3 veils: easy to understand!!, well that's all about ( other than the amp/speakers John's matching subject ). Of course this is only my opinion and advise about, the important subject is the opinion of John.

Regards and enjoy the music.
Raul.
Jfrech,

I take it that you are not unhappy with the sound you are getting; you just want a little "more." Well, there is to me, good news and bad news. First, there is no obvious weak points to your system (good), but that means that there is no obvious means of "improving" it either (bad). The little more dynamics and soulfulness you want may not be easily achievable without a radical change to the whole system.

I personally think that the SME 20/2 and the SME arm are a terrific combination so it is hard to say any other combination would be an obvious upgrade.

However, I do have some suggestions on possible avenues to explore. I agree with Raul that looking into a new phonostage is a reasonable approach. That certainly minimizes the complications of having to make wholesale changes to other parts of your system. There is an incredible variety of available phono stages and the "best" for you is not necessarily the most expensive so do not think that you are limited to looking at something in a certain price range (like the Io) as the only logical "upgrade."

A more adventurous approach would be to consider another amplifier. The liveliness and soulfulness you are looking for might be provided by something like an OTL amp. Atmasphere comes to mind because your BAT preamp has balanced outputs. Good OTLs sound a whole lot more alive and exciting than most other forms of amplification (good SETs also do this, but are limited to use with very efficient speakers). I use a SET amplifier myself, but, my speakers are 99 db/watt efficient and I don't need really high volume level. With more "real world" applications, I like OTLs (provided you can stand the heat).
HI Raul,

I wasn't meaning to suggest there is anything wrong with the Lyra. I get the impression that John is just looking for a change in sound. As others have said his system is very good and I think that much of what he might replace would just change the sound, not necessarily make it better. So I was thinking that it might be the least costly solution if he was just to try a different cartridge.
if i were in you shoes, i'd upgrade the ps to SME's latest, and get a DV xv1-s.
Dear friends: It is very rare that an audio system 100K+ heavy dollars owner ask for advice and accept that it is not totally ( 100% ) happy with it and not only that but that post: +++++ "My system is posted. I'll appreciate all thoughts and comments " +++++

These facts speaks a lot of John, first than all his humility to ask and his knowledge that he can improve the quality sound reproduction and that he knows where!

I made some questions to him for to know what he wants ( what he thinks is missing ) and he posted: dynamics. So I read what is his audio system, I read many things that he posted about his system ( virtual system site ) ( that btw from here I assume that he like the Scala. Other fact that let me to assume that was that at the thread he don't mention anything about a cartridge change. ) and I read what are writing about his single audio item links in his system ( manufacturer website, professional reviews, what other owners said, etc, etc ), I made all this work for I can have the wider possible stage ( due that we are giving advise at " long distance " with out hear the system. ) and can/could give the best honest advise based on my experiences and know-how ( very similar for what a doctor/physician made with a person who has an illness, don't you think?. Well not exactly but in some ways similar. ).

I never like to give an " aspirine " for a muscular pain with out investigate first the why/where/how comes that muscular pain, many people in this and other forums are of the " aspirine " kind, I respect that but I don't agree with that approach because IMHO I think that between our own knowledge we are here trying to learn and trying to help other ones like us...

I know that it is not an easy task to say : John change your whole electronics ( 40-50K ) but IMHO ( at least that is the way I'm. ) the best way to help to another Agon's fellow is to tell him exactly and why we give our advise ( it does not matters which it is and it does not matters if that system is on the 100-500K price range ).

The John's word Dynamics told me that I have to look where in his system are loosing it and in my knowledge/experience ( and virtual investigation ) that dynamics could " suffer " through the speaker/amps interaction ( maybe room too. ) and ( like I already posted ) on the Phonolinepreamp front end links, I explain to him the whys of each approach and give him my advise.

I'm not saying that my advise is the right one no maybe it is not but what I'm saying is that I'm doing my best to help John, not with an aspirine and I respect all those " aspirine " guys.

I would like to hear from John because what he thinks is what really matters at the end he is who is living with that system or with the one up-graded.

Regards and enjoy the music.
Raul.