Hello Everyone,
Thanks for all the information. It seems that Audiogon bloggers have little taste for either the Origin Live Silver or the Rega RB1000. Unfortunately, the arm will cost $300-$400 where I live to rewire. Although there are ways to help other other aspects of the wonderful Technics SL1210, there are really only two ways to fix the very grey and muddy sound of the tonearm. One, as discussed, is to rewire, then buy the KAB fluid dampener. The other way is to replace the arm with one of my preferred options: Either a 2nd hand Rega RB1000 (which has had full rewire with Cardas from stylus to RCAs -ie full length of the tonearm to the connections to the phono-stage) or an Origin Live Silver. Has anyone had experience with these tonearms? The Origin Live early models copped a bit of flack for quality control. True? The Rega 1000 is just a trumped-up RB300. True? Any thoughts regarding these tonearms would be greatly appreciated.
Thanks for all the information. It seems that Audiogon bloggers have little taste for either the Origin Live Silver or the Rega RB1000. Unfortunately, the arm will cost $300-$400 where I live to rewire. Although there are ways to help other other aspects of the wonderful Technics SL1210, there are really only two ways to fix the very grey and muddy sound of the tonearm. One, as discussed, is to rewire, then buy the KAB fluid dampener. The other way is to replace the arm with one of my preferred options: Either a 2nd hand Rega RB1000 (which has had full rewire with Cardas from stylus to RCAs -ie full length of the tonearm to the connections to the phono-stage) or an Origin Live Silver. Has anyone had experience with these tonearms? The Origin Live early models copped a bit of flack for quality control. True? The Rega 1000 is just a trumped-up RB300. True? Any thoughts regarding these tonearms would be greatly appreciated.