Schroeder Model 2 for Technics + Ortofon 2M Black


A poster (Cmk) suggested a Schroeder Model 2 tonearm as an alternative to the Hadcock and the Graham Unipivots as a replacement tonearm on my TECHNICS SL1210 turntable.

Since I'm exploring unusual options, I thought it might make an interesting thread. So, do you think that a Schroeder Model 2 arm could work on a Technics SL1210? Apparently, the Model 2's geometry is similar to a Rega tonearm. I have an excellent adapter plate for my Technics TT that enables Rega type arms to be fitted.

There is also the question of the Schroeder's compatibility with my relatively high-complience Ortofon 2M Black cartridge. Any thoughts?

Finally, what does the Audiogon community think of the Schroeder Model 2 arm? Is it designed for hyper-bucks high-compliance MC cartridges?
Are there better arms to be found in the in the Unipivot world, like the Grahams and the Hadcocks?
dsa
Hello Dsa
Having been a long term user of the Model 2, I'll share my experiences with it.

The Schroeder tonearm is like no other due to the lack of bearings and the use of magnetic dampening. The music flows much smoother than other tonearms, gimball or unipivot. The wood versions have a more rounder presentation, while the carbon fibre model is more snappy - I prefer the later as it seems to be faster. Arm mass is 12g so it should match with most carts. For the Denon 103variants, Frank has a brass mounting plate (+6g) for low compliance carts.

Certainly there are better arms out there, but these would not be in this price range.

On my high mass Schue DL2, with Mapleshade brass footers under the Herron VTPH1mc, it is a wonderful mix of power, dynamics, musical nuances and quiet background which is really hard to come by. Now the real problem is finding one.
Hello CMK,
I hoped you were watching!

Your hands-on experience with the carbon fibre Model 2 echo my gut feelings regarding the wood option. You can coat it, soak it, sand it and compress it (whatever), but I feel wood is somehow going to colour sound in the audio chain. The taughtness of the carbon fibre, as you have surmised, give it speed and enunciation. Qualities, I would guess, that are missing in the wood option.

I wonder what the designer didn't like about ceramic? Is his preference for wood motivated by its non-interaction with the magnets? One can only speculate.

You are running the arm with a low complience MC cartridge. I wonder how it would fly with my Ortofon 2M Black MM high compliance cartridge....

You actually have missed a step in my tonearm procurement program. I assemble the funds, then I look for one to buy. That's the wonder of the 'net. I can research my options throughly in the mean time.

You have quite an exotic set-up there. I guess that you thought and hard about the components and their interaction. Thanks for the input- very valuable indeed.
I have the Schroeder Model 2 running with Shelter 501 MkII. This is the best arm I had (I used to have all Kuzma models besides the Airline)...Sure a Graham or Hadcock might have a different presentation of the music but I believe that they won't be better. The Schroeder has a unique freedom of mechanical "after taste" to the sound...and just sounds more natural than any other arms I tried.

The Schroeder needs a lot of care to balance all parameters therefore a Graham is much more comftable. The effective weight depends on the choice of arm tube material (carbon, wood...) and also the choice of headshell-plate (aluminum, brass...). Therefore Mr. Schröder can fit the arm perfectly to your needs.

Mine has the carbon tube with brass plate and is around 14g, wich is more on the heavy side of "middle weight"...perfect for "stiffer" carts like the Shelter or my Koetsu rosewood.
Hello Xronx (from the Bronx?)
More valuable input- thanks! I notice that you too have opted for the carbon fibre. Your observations say that the Schroeder Model 2 gets out of the way of the music and reproduces what is on the recording- without (much?) colouration. Just the ticket.

How well does the thing track? For example, how would it go playing a 12" single that is spinning at 45rpm, mastered at high levels, with a slight warp AND pressed slightly off centre?