I finally got around to trying this over the weekend. This is a wonderful tweak and I give it the two key lime pie award! I believe this is getting us close to the realm of direct drive, at least as good as an idler.
My perspective on the improvements are similar but, since I listen to mostly rock (a little flab in the bass is not a bad thing), I thought I may have noticed things differently. But I've had some time to digest this overnight and I don't think I would disagree with anything anyone has posted about this new belt configuration. What I've noticed the most is the increase in micro-details. I'm hearing new sounds in the background and around the edges. Bells, wood blocks, chimes and such are not being smeared anymore so they come out to the front. The attack and presence of all instruments is greatly enhanced. I hate to use the cliche about veils being lifted, but there it is.
I found the process of etching the belt very easy. HINT, is it always the side that the mylar wants to curl to. The thought did cross my mind about trying this with an already spliced belt, but the worry of what happens to the splice tape prevented me from trying that. So I simply cut the old splice out and proceeded. This led to a belt that is about 2" shorter than what I normally use, and I'm left pondering if shorter isn't also better. This means that the wrap around the motor capstan isn't as tight so the belt runs smoother. There seems to be no chance of belt flutter with the shorter belt. With the increase in friction provided by the de-mylared surface I suspect that an even shorter belt may work better.
My belt may not be as tight as what Doug gets. I say this because I'm pretty sure I'm no where near tilting my Galibier's motor. I found that there is a point where an increase in tension causes a noticeable thump when the splice went around the capstan. So I backed off to the point where the splice was barely audible with no music playing. That should be good as I find the splices to relax a bit after running for several hours. There is still more tension than I ever ran with the stock mylar.
And that leads me to my only complaint. It is too bad that splice tape comes in beige and not clear! Watching that splice go round and round is disturbing, but I can learn to live with it.
My perspective on the improvements are similar but, since I listen to mostly rock (a little flab in the bass is not a bad thing), I thought I may have noticed things differently. But I've had some time to digest this overnight and I don't think I would disagree with anything anyone has posted about this new belt configuration. What I've noticed the most is the increase in micro-details. I'm hearing new sounds in the background and around the edges. Bells, wood blocks, chimes and such are not being smeared anymore so they come out to the front. The attack and presence of all instruments is greatly enhanced. I hate to use the cliche about veils being lifted, but there it is.
I found the process of etching the belt very easy. HINT, is it always the side that the mylar wants to curl to. The thought did cross my mind about trying this with an already spliced belt, but the worry of what happens to the splice tape prevented me from trying that. So I simply cut the old splice out and proceeded. This led to a belt that is about 2" shorter than what I normally use, and I'm left pondering if shorter isn't also better. This means that the wrap around the motor capstan isn't as tight so the belt runs smoother. There seems to be no chance of belt flutter with the shorter belt. With the increase in friction provided by the de-mylared surface I suspect that an even shorter belt may work better.
My belt may not be as tight as what Doug gets. I say this because I'm pretty sure I'm no where near tilting my Galibier's motor. I found that there is a point where an increase in tension causes a noticeable thump when the splice went around the capstan. So I backed off to the point where the splice was barely audible with no music playing. That should be good as I find the splices to relax a bit after running for several hours. There is still more tension than I ever ran with the stock mylar.
And that leads me to my only complaint. It is too bad that splice tape comes in beige and not clear! Watching that splice go round and round is disturbing, but I can learn to live with it.