Can anyone recommend a Phono Pre Amp?


Hello again,
I have a Project 9 with a Dynavector X-H high output cartridge connected to my Musical Fidelity XLPS-v3 by Synergistic Looking Glass active cables. I'm driving all this with Rogue Audio 150 monoblocks through a Rogue Audio 99 pre amp and Martin Logan SL3's. My system sounded bright at first but after about 150 hours of use warmed up quite a bit. The Musical Fidelity is kinda warm but dry. I have also tried the PS Audio phono pre amp that had way more detail but was a little edgy and lacked mid-range warmth. I'm looking to spend about $1ooo, hopefully less. Any recommendations?
128x128zeal
Audiofeil, I didn't think the JLTI is at all grainy or edgy on top. However, the JLTI is high bandwidth and appears much more extended than most phono stages at first listen. It opens the soundstage deep into the corners reproducing a lot of the acoustics of the recording studio/hall. Also, the power supply is pretty sensitive and the sound changes quite a bit depending on where it is plugged in. The main shortcoming I find with the JLTI is that it doesn't quite have the strong tonal colors you get with top tube phono stages or even the Xono. Tonal colors could seem a little bleached at times. In terms of spatial resolution and image separation it is difficult to beat.

We tried the Graham Slee Era Gold Mark V and is fairly average in resolution for it's price and not quite in the league of the JLTI or some of the other we tried. One comparison was using the Graham Slee Era Gold Mark V with a Lundahl step-up and a Lyra Argo cartridge. The other was MM only with a Dynavector 10x5 cartridge. On the MC with Lundahls the Slee did not have the spatial resolution, dynamics or to end extension that make the Lyra cartridge special. Using the Dynavector the Gram Slee was pretty average sounding, not that great resolution and average soundstage width/depth. The JLTI added a lot more life, extension, and resolution to that system. In fact. the person owning the Slee sold it pretty quickly after that.

Part of the negative experience with the Slee could have been that we didn't have the Elevator around, but then in MM mode it didn't do much better.
Also some more comments for Zeal: If you are looking for a less dry sound a tube phono would be a good alternative:

ARC PH3SE has good flow and is pretty solid performer overall, although quite a bit more expensive than some of the other suggestions. It doesn't come close to the resolution, dynamics and separation between instruments off some of the solid state stages though.

A good alternative to the EAR834 is the Wright WPP200CC at $800.Both have a very tubelike sound. The Wright is more dynamic and detailed with slightly better imaging. The Arc PH3 betters both, but also sacrifices some of the tube bloom and midrange of the Wright.
Has anyone tried the Musical Surrounding Nova phono stage. I heard the Pro-ject tube phono stage wasn't bad at all for half the price of a Nova or a used Arc 3. The Wright looks interesting but how is the detail on it?
You can try a home trial of the JLTi.
New it's a little over your budget but used it should be close.
I auditioned the Graham Slee and the P75 before trying the JLTi. The first two I heard at my dealer and the second at my home so it may not be a fair comparison but I bought the JLTi.
I found it a very easy decision. I'm using a 20XH on a Scout.

Good listening, Jerry
I believe Kevin Carter has a budget version of his K&K Phono Pre in the works that will sell for less than $1k. Also, if you are willing to "stretch" a little you might be able to find a used K&K for ~$1.2k.