I agree with Raul on nearly every point save that of the fact that tubes can work very well indeed with low output cartridges, direct.
Rccc, while it is true that there are transformers that were in the signal path in a lot of the recordings you favor, it is misleading at best to say that these are the **same** transformers as in the case of an SUT. Mic input transformers have different requirements as do line output transformers or the output transformer of the tube cutting amp for the LP.
You might be curious to know what an LP could sound like if some of **those** transformers were eliminated; the answer is "better!"
"High end audio" supports a diverse community: tubes, transistors, horns, CDs, LPs, headphones... there are people who are trying to get the best sound they can, those who buy only on cache, those who only care about the music and those for whom the experience of live music in the room is their only goal.
Raul and I represent two aspects of this community wherein we have the same goal of no-holds-barred experience of live music in the home, but he is solid state and I do it with tubes. In both our cases, since we are able to work with some of the best equipment available, the experience of the degradation that transformers bring is easily revealed. This is not so easy for those who have to struggle with a budget, who have sorted out how to get their hands on a low output cartridge but not figured out how to get the gain for it: the SUTs represent a compromise and as good as they get, they will always continue to **be** a compromise.
Raul and I would prefer to work without compromise to the best of our abilities.
A serious problem we all face on audio forums is that audiophiles all use the same terms but we don't have a good measure of the intensity of experience that comes with each term, regardless of the term. So at some point a leap of faith is required and often that leap runs short of expectation :)
In a nutshell, the more resolution you are able to get out of your system, the more artifact you will hear from SUTs.
Rccc, while it is true that there are transformers that were in the signal path in a lot of the recordings you favor, it is misleading at best to say that these are the **same** transformers as in the case of an SUT. Mic input transformers have different requirements as do line output transformers or the output transformer of the tube cutting amp for the LP.
You might be curious to know what an LP could sound like if some of **those** transformers were eliminated; the answer is "better!"
"High end audio" supports a diverse community: tubes, transistors, horns, CDs, LPs, headphones... there are people who are trying to get the best sound they can, those who buy only on cache, those who only care about the music and those for whom the experience of live music in the room is their only goal.
Raul and I represent two aspects of this community wherein we have the same goal of no-holds-barred experience of live music in the home, but he is solid state and I do it with tubes. In both our cases, since we are able to work with some of the best equipment available, the experience of the degradation that transformers bring is easily revealed. This is not so easy for those who have to struggle with a budget, who have sorted out how to get their hands on a low output cartridge but not figured out how to get the gain for it: the SUTs represent a compromise and as good as they get, they will always continue to **be** a compromise.
Raul and I would prefer to work without compromise to the best of our abilities.
A serious problem we all face on audio forums is that audiophiles all use the same terms but we don't have a good measure of the intensity of experience that comes with each term, regardless of the term. So at some point a leap of faith is required and often that leap runs short of expectation :)
In a nutshell, the more resolution you are able to get out of your system, the more artifact you will hear from SUTs.