It is almost always groove-to-groove interference. This is easily verified by timing the amount of pre-echo. If it's 1.8 seconds it is a LP problem. Mag tape print-through is also real, but usually requires storage of the tape for years without rewind, and the timing will vary with tape speed and how much tape remains on the reel.
Pre-echo can be eliminated by wide groove spacing, but that drasticly reduces playing time. So groove spacing is dynamically varied as the record is cut according to the music signal amplitude. As always there is a compromise, and the grooves are kept as close together as possible, accepting a small amount of pre-echo that only audiophiles will complain about.
Pre-echo can be eliminated by wide groove spacing, but that drasticly reduces playing time. So groove spacing is dynamically varied as the record is cut according to the music signal amplitude. As always there is a compromise, and the grooves are kept as close together as possible, accepting a small amount of pre-echo that only audiophiles will complain about.