Hi John,
Great question.
That said, there are certain types of sonic damage that only a turntable (or tape deck) can produce. These are in the domain of “temporal correctness”, as Palasr put it just above. Pitch accuracy and stability on held notes is a function of platter rotational speed. Nothing else in an audio system damages pitch like a platter that can’t maintain speed accuracy and stability. The same is true of the harmonic relationships produced by natural instruments. LP’s can be chosen to test this, and I brought one such with us - specifically to test Win’s table.
No TT is perfect of course, but the Saskia came notably closer in this regard than any table we’ve heard. Except for the Saskia, every table we heard at RMAF exhibited audible errors in this area, some worse than others of course. (Dan_Ed joked in an email yesterday that he’s surprised we liked anything!) We walked out of several rooms just because we heard the table speed wavering, and that included tables costing north of $20K.
Prime example: any table that uses a rubber(y) drive belt will be speed inaccurate by definition, and the effect has always been audible to us in any system. Even the excellent, three-motor TW-Acoustic Raven suffers from this, though it’s better than most rubber belt drives and the slight softness of the speakers in that room helped mask it. The HRX in the Soundsmith room was worse. Hope that’s enough examples, I don’t want to trash anybody’s favorite table.
When I said Winn’s table deserves top class components I meant it literally and without regard to price. Win was using Jonathon's Schroeder Model Two. Like you, I believe that arm is the best in its price class, but that doesn’t make it top class or “nothing but the best”, as you put it. Frank himself wouldn’t claim that or he’d never sell a Reference.
As for the Voice, we may have different sonic priorities.
Great question.
How were you able to separate which components contributed to or detracted from the wonderful sound in that room?Separating which component is contributing what in an unfamiliar system is indeed difficult, often impossible. No argument there.
That said, there are certain types of sonic damage that only a turntable (or tape deck) can produce. These are in the domain of “temporal correctness”, as Palasr put it just above. Pitch accuracy and stability on held notes is a function of platter rotational speed. Nothing else in an audio system damages pitch like a platter that can’t maintain speed accuracy and stability. The same is true of the harmonic relationships produced by natural instruments. LP’s can be chosen to test this, and I brought one such with us - specifically to test Win’s table.
No TT is perfect of course, but the Saskia came notably closer in this regard than any table we’ve heard. Except for the Saskia, every table we heard at RMAF exhibited audible errors in this area, some worse than others of course. (Dan_Ed joked in an email yesterday that he’s surprised we liked anything!) We walked out of several rooms just because we heard the table speed wavering, and that included tables costing north of $20K.
Prime example: any table that uses a rubber(y) drive belt will be speed inaccurate by definition, and the effect has always been audible to us in any system. Even the excellent, three-motor TW-Acoustic Raven suffers from this, though it’s better than most rubber belt drives and the slight softness of the speakers in that room helped mask it. The HRX in the Soundsmith room was worse. Hope that’s enough examples, I don’t want to trash anybody’s favorite table.
I have listened to Schroder arms and the Voice cartridge in several highly revealing systems. In all of these systems, the Schroder arms and the Voice cartridge didn’t appear to be mediocre but rather clearly outperformed the previous arms and cartridges. It wasn’t even close. I believe the Schroder arm is nothing but the best. And while the Voice is not the best cartridge I have ever listened to, cartridges that bettered it carried a much higher price tag. The Voice at its current price seems to be a steal.
When I said Winn’s table deserves top class components I meant it literally and without regard to price. Win was using Jonathon's Schroeder Model Two. Like you, I believe that arm is the best in its price class, but that doesn’t make it top class or “nothing but the best”, as you put it. Frank himself wouldn’t claim that or he’d never sell a Reference.
As for the Voice, we may have different sonic priorities.