From LP12 to where...?


I have had an LP12 for a while and although I love the sound the future of adjustments seems a bit dis-enchanting.
The dealer tells me that I could never learn to do it myself although I think in time I could maintain it's sound. But then I am buying parts and the Linn frame etc.
So where to next VPI Scoutmaster, Clearaudio Performance, etc? Anyone that has sold an LP12 can you share with me why and what did you get? I bought this used and it is in great shape but the sensitivity of the suspension gets too involved in prevention and I want a simpler, but great sounding TT. Trying to stay under 3-3500
128x128theo
for 3500 to 5000 you are going sideways. that said the possibilities for that money are endless, if no more 'there' than you already are.
I had an LP-12 and also bought from Linn, a dealer's set up manual. It was about 50 pages or so, had a gray cover, and revealed lots of "secrets" in getting the setup right. I think if you pursue the self-care of the table, you will be successful. I suspect your dealer is just telling you of his worth and how monetarily valuable he is. I thought the setup was tedious, but not impossible. I ultimately got a VPI Superscoutmaster which is better, but also more expensive.
I also am a recent 'long time ex-Linn owner'. I dutifully did all the upgrades for 20 years and like you, the cost of the Keel upgrade gave me pause. A couple of options to consider:

1. If you like the sound of the Linn, take the time and effort to learn the set-up. Up to date Linns do not require the frequent adjustments of earlier incarnations. Also consider the Origin Live motor upgrade and a proper stand. Both make a difference.

2. If you are considering a change; the tables suggested here are worthy of a listen. I would add to the list the Galibier Serac turntable with Artisan arm and Dynavector 17D3 cartridge. This combination is sold at a package price and fits your stated budget.

Good luck.
Thanks for all the feedback, I guess that I would be better off finacially to invest in Linn Table frame or possibly build on in my shop. I have a dealer that doe an excellent job of setting these up. As a fact he has them sent to him across the country for his set up. I know that I can always have him do it, but I feel somewhat captive by that one stop scenerio. If I move or he quits I am where I don't want to be. I do love the sound and like that fact that the table can virtually be rebuilt time and time again. So I can probably learn to do it myself and get through that. But I have the problem ,that if I don't have a concrete floor, dealing with the skipping. I got some ideas here that I can look at. And one last note to mofi, I think I'll buy the McIntosh Turntable! Nanner nanner nanner nanner:)