I had an LP12 and liked the pleasant colored sound, but went with the VPI Scoutmaster and it is far more neutral, faster, more dynamic, far more interesting, and makes the Linn sounded very dated. I know there are a lot of Linnies who will disagree, but set up correctly, the Scoutmaster, Nordost wired JMW9 leave me not wanting any other table. The vinyl sounds so different from recording to recording, the Linn just always left its soundprint on everything. With the VPI, all seems right. The bass is so powerful, full of dynamic contrasts, each pluck of a bass guitar is detailed, the Linn leaves a blurr. The mids and highs are also equally detailed and realistic. If you want music, the VPI is the ticket. The Scout is OK, but the Scoutmaster is great. Jallen
From LP12 to where...?
I have had an LP12 for a while and although I love the sound the future of adjustments seems a bit dis-enchanting.
The dealer tells me that I could never learn to do it myself although I think in time I could maintain it's sound. But then I am buying parts and the Linn frame etc.
So where to next VPI Scoutmaster, Clearaudio Performance, etc? Anyone that has sold an LP12 can you share with me why and what did you get? I bought this used and it is in great shape but the sensitivity of the suspension gets too involved in prevention and I want a simpler, but great sounding TT. Trying to stay under 3-3500
The dealer tells me that I could never learn to do it myself although I think in time I could maintain it's sound. But then I am buying parts and the Linn frame etc.
So where to next VPI Scoutmaster, Clearaudio Performance, etc? Anyone that has sold an LP12 can you share with me why and what did you get? I bought this used and it is in great shape but the sensitivity of the suspension gets too involved in prevention and I want a simpler, but great sounding TT. Trying to stay under 3-3500
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- 24 posts total
- 24 posts total