Alton Abraham, the original producer, did many of them. From what I have heard crappy digital hijynx were kept to a bare minimum.
They look like bootlegs because they reproduced the original '50's and '60's covers, which were often drawings done by band members without the oversight of professional graphic designers. They are crude, weird, and very 'homemade' looking.
Ra often drew covers himself as well. I own several pieces of his original artwork done on a blank record cover. In the 70's he sold records with original drawings on them at shows. I was lucky enough to seize the opportunity and also get them signed by the entire band.
For those who want to go 'way out there', do get "The Magic City". For those who want Ra's explorations to stay within bop-framed jazz, get "Interstellar Lowways". You will find that both his bop and free jazz are absolutely his own, and nowhere near the conventional modes of these forms.
They look like bootlegs because they reproduced the original '50's and '60's covers, which were often drawings done by band members without the oversight of professional graphic designers. They are crude, weird, and very 'homemade' looking.
Ra often drew covers himself as well. I own several pieces of his original artwork done on a blank record cover. In the 70's he sold records with original drawings on them at shows. I was lucky enough to seize the opportunity and also get them signed by the entire band.
For those who want to go 'way out there', do get "The Magic City". For those who want Ra's explorations to stay within bop-framed jazz, get "Interstellar Lowways". You will find that both his bop and free jazz are absolutely his own, and nowhere near the conventional modes of these forms.