Strange that the high end EQs used in the pro audio world aren't considered by audiophiles. For example, there are some very expensive Parametric EQs by Manley (who also makes the Steelhead phono pre) that are well regarded and probably used during mixing of much of the music we're listening to (i.e. they've already been in the signal path).
The pro audio community seems to think these are pretty transparent. They have balanced XLR inputs and outputs, so why aren't these embraced?
The pro audio community seems to think these are pretty transparent. They have balanced XLR inputs and outputs, so why aren't these embraced?