For all:
I recently picked up two very clean import pressings of two of my favorite records thinking/hoping they would be better.. when they were not.
1st was a UK import pressing of Weather Report's "Heavy Weather" now I used to have the orig. U.S. pressing bought as a teen back in 1977 but that one is long gone (and worn out by cheap shure carts) I have now the U.S. Columbia Half-Speed "audiophile" pressing of Heavy Weather, but have always thought it was a bit 'tipped up' in response and timbre. Alas, the UK pressing is good, but the 1/2 spd. still has better depth and space microdetails...Wayne Shorter's sax on some cuts I think is more accurate tone-wise on the UK pressing.
the other record is Jean Luc Ponty's "Imaginary Voyage" again used to have orig U.S. atlantic bought same year but again long gone worn out... Now I have a Japanese pressing of "Imaginary Voyage"... I just bought a German import pressing, and in a shoot out.. the German is NOT as good as the Japanese... I would have thought it would be the other way around.. German import must be using 2nd gen. tape as the sound is a little more 'processed' and somewhat lacking in immediacy esp. in the highs.
Oh well... I'll stick to the ones I had.
But it is fun to compare pressings...
I recently picked up two very clean import pressings of two of my favorite records thinking/hoping they would be better.. when they were not.
1st was a UK import pressing of Weather Report's "Heavy Weather" now I used to have the orig. U.S. pressing bought as a teen back in 1977 but that one is long gone (and worn out by cheap shure carts) I have now the U.S. Columbia Half-Speed "audiophile" pressing of Heavy Weather, but have always thought it was a bit 'tipped up' in response and timbre. Alas, the UK pressing is good, but the 1/2 spd. still has better depth and space microdetails...Wayne Shorter's sax on some cuts I think is more accurate tone-wise on the UK pressing.
the other record is Jean Luc Ponty's "Imaginary Voyage" again used to have orig U.S. atlantic bought same year but again long gone worn out... Now I have a Japanese pressing of "Imaginary Voyage"... I just bought a German import pressing, and in a shoot out.. the German is NOT as good as the Japanese... I would have thought it would be the other way around.. German import must be using 2nd gen. tape as the sound is a little more 'processed' and somewhat lacking in immediacy esp. in the highs.
Oh well... I'll stick to the ones I had.
But it is fun to compare pressings...