Platter Upgrade for Garrard 301


I am toying with the idea of upgrading my analog system to the next level up from my VPI scout. I've heard alot of talk about great performance from a Garrard 301 coupled with a upgraded plinth that I could buy from various sources, such as Oswald Mill Audio or Shindo, among others. However, I rarely hear about other upgrades for the Garrard. Isn't the platter a key component that should be a contender for an upgrade? I know Shindo makes such a platter, but they seem to be ultra expensive. There must be a less expensive alternative? Also, what other upgrades should I consider to a Garrard? Thanks, Mark
mcmprov
Nandric, I get it (finally), you are a big fan of Pierre Lurne' (hope I've spelled it correctly) and his turntable designs, which I think are suspended, belt-drive types. That's fine. In this case, the question of what upgrades work best for the Garrard 301/401 probably does not really interest you. As for me, I hope you will forgive me for saying so, but I heard some of his very early commercial products (probably 10 to 20 years ago) and did not like them at all, as compared to the belt-driven competition at that time. His products are probably a lot better developed by now, so my memory of their sonics is probably irrelevant. But in this thread we are talking about Garrard idler drives.
Lewm,I am glad that at list somebody 'get it' regarding
Pierre Lurne (you spelled it correctly). But I have no
idea how you 'get' the conclusion. I was explicite with my
reference to the platter and the bearing design (aka the
complexity) and so far I know even an Gerrard 301 needs
one. I even stated that the platter is 'the most important part' of an TT.I deed not mention 'belt' or other drive types.
I am a big fan of Lurne but I discovered dat Kuzma is even
better so I sold the Meca J1 and bought an Kuzma Stabi Reference. What your experience with Lurnes turntables was Ican't comment on unless you experinced Audiomeca J1.
Cheers
I would agree that the Kuzma Stabi Reference is a superb choice. Don't recall the model name of the Lurne' that I once auditioned, but I do think it was an early effort. Anyway, peace be with you.
Mikelavigne. There is doubtless great beauty in and joy
from the artistic descriptions that we call literature.
But as Frege clirified to us there is some difference with,say, science.So he wrote hes 'Sense and reference' so
that an writer my compose an beatuful story about,say,
Pegasus without worry about the 'bearer' of this name
(aka the reference).So look with me,if you care,to the
beaty of the sentences Mike composed:
"but 'not fully satisfied'with the Rockport is not the
answer the question.curiosity and wanting to be involved
with a fun direction is most of it..."
I was realy moved and longed to join the club.
But then came an sentence with 'entailment' in logical
sence:'after I have fully experinced what Technics and
Garrard have to offer the we will see...'.
The 'entailment' is,it seems to me,the expectation,hope or
even the 'pretention' to surpass the engineers from Rockport by the force of hoping,so to speak.
I tryd to help the 'adventure' by providing some 'theoretical grounding' and refered to Lurne,an
physicist who wrote about 'design philosophy' for TT AND
the PLATTER but nobody was interested.
So my mind made some kind of an leap to an French cardinal
and 'the lady'.
The lady:'Sire is it an sin that I admire my own beauty
all day long?'
Richelieu:'ceartanly not my lady,ceartanly not.An illusion
is not a sin'.

Cheers
Nandric, Great post. You've added a little high class culture to my day. That Richelieu was a card. (Means "comedian" in English slang.) But don't worry about Mike; he knows very well what he is doing and why.