Good idea... From what I understand, drag/friction of the stylus in an actual groove is about 1.4 times higher than that produced by a blank record. Using the blank record as a "jumping point", once the stylus stops moving he could increase anti-skate by a factor of 1.4 times its current setting to get something that should work on an actual record.
For me, I just use a heavily-cut record with something strong in the left channel like a voice or trumpet. That usually gets the right channel to distort when anti-skate is too low. Harry James King James Version on Sheffield works good because there are some tracks where his trumpet is in the left channel only. Increase A/S until it tracks well. That record is probably the worst "torture test" in my collection so I don't need any more a/s than that.
I have no doubt your records and system sound great! Its all fun discussion.
For me, I just use a heavily-cut record with something strong in the left channel like a voice or trumpet. That usually gets the right channel to distort when anti-skate is too low. Harry James King James Version on Sheffield works good because there are some tracks where his trumpet is in the left channel only. Increase A/S until it tracks well. That record is probably the worst "torture test" in my collection so I don't need any more a/s than that.
I have no doubt your records and system sound great! Its all fun discussion.